Forum Replies Created

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  • You could pay for a Vimeo subscription which would remove all branding and allow you to embed the file in your site pretty seamlessly, the frame rate should stay the same as uploaded. It also allows the client to download the original file if you choose to let them do so. No matter what, all third party services that I know of will recompress the content for preview since it has to be encoded to work with whatever particular player they are using and minimize server load.

    You could also host your videos on Amazon AWS or similar cloud storage and stream on your site. It’s would likely be cheaper than upgrading to a dedicated server since they only charge for usage.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    July 1, 2015 at 8:31 pm in reply to: Premiere Pro CC 2015 pixelated rendering

    Hi Kele,

    First, I would discourage the match source settings, you are better off unchecking all and picking your own bit rate. For 1080P and Youtube/Vimeo, you can go 20 Mb/s and above. Not sure what you mean by playing in a browser. Are you uploading it somewhere? It sounds like an issue with whatever player/service you are using.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    July 1, 2015 at 8:27 pm in reply to: The exporting in Premiere is very slow

    Hi Will,

    That’s pretty much how it goes, a 10 hour video is VERY long, and to be honest, not what most editing system where built for. You should expect a few days of export time, especially if you have any effects/color correction.

    If you are doing doing this on a regular basis, and are getting paid for it, you should consider a new Mac Pro on the Apple side, or a custom multi CPU PC with a heavy GPU graphics card on the PC side.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Hi Bryan,

    The simplest would be Youtube/Vimeo which all support private links, and best of all, they are free, and you can easily embed them on your site if you want without using your bandwidth for viewing.

    There are also some cool options with ProofHQ. It allows clients to leave comments at specific times in your video, and to draw/highlight over the video.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    June 13, 2015 at 12:28 am in reply to: Light leaks only for one track

    Hi Damien, have you tried nesting track 2 and 3. Select both clips, right click >nest.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    June 13, 2015 at 12:26 am in reply to: Premiere pro CC export ‘crash’

    Hi Harry,

    It could be many, many things, corrupted project, a buggy plugin… If you need this right away, you could just export half of your timeline to ProRes, then do the other half and stitch it together for a final export. Other things to try if you have some time, import into a new project and clear all cache.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    June 1, 2015 at 5:12 am in reply to: HD-SDI cable for concert

    Hi Ken,

    With good SDi cable you can safely go 300 feet. I would call Markertek and have them build some Belden cable for the length you need,

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    May 31, 2015 at 9:55 pm in reply to: Video Playback Software for Mac OS X

    PlaybackPro, you won’t regret it.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Ii really depends on the original footage. If you drag it into the new sequence icon on the project panel, you should get the correct settings.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

  • Vince Becquiot

    May 28, 2015 at 5:36 pm in reply to: Skype as an intercomm system for a live event

    Here’s my take on these alternative options. Intercom is designed to be simple to use so that you can focus on the production side, especially when you have to worry about moving a live camera around. If your clearcom requires you to look away to push a button, it’s too complex. If the WIFI goes down, your guys might miss important cues. I personally stick with hard wired connections whenever possible.

    Vince Becquiot

    Indigo Live | Kaptis Media

    San Francisco Bay Area

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