Vince Becquiot
Forum Replies Created
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You could try to go into preferences and under playback, disable video output when in background. What version are on on?
Vince Becquiot
San Francisco Bay Area
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Then buy a dog and be ready to walk it around the block a few times while your sequence renders 🙂
Vince Becquiot
San Francisco Bay Area
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Most of these services only define users as the person managing the project, so clients / reviewers don;t qualify as users.
Vince Becquiot
San Francisco Bay Area
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Hi Gustavo,
Try setting your audio INPUT to line in. Had this issue with XDCAM and that solved it.
Vince Becquiot
San Francisco Bay Area
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Hi Melanie,
There really is no standard when it comes to bitrates. With H.264 can get away with lower rates. BluRay, for example, is usually around 40Mb/s (H.264), so that’s a good reference point for “Hollywood” HD quality. If you have a lot of noise in your movie, then it will require a higher bit rate or you will start seeing artifacts. Lots of motion, rushes, shaky cameras all require more data to look good since compression depends on changing pixels from frame to frame. Raise the brightness on your monitor and look at your backgrounds/dark areas, that’s usually where artifacts will pop up.
Prores varies between 70 and 150 Mb/s depending on the format you pick, you won’t have control over the bit rate.
Vince Becquiot
San Francisco Bay Area
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Yes it will, you could also select all your clips in the Premiere project panel and select export to Media Encoder, same reult.
Vince Becquiot
San Francisco Bay Area
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Why not just bring them directly in Adobe Media Encoder?
Vince Becquiot
San Francisco Bay Area
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Hi Alan,
I’ll start with the obvious: Can you confirm that your footage is interpreted at 25P?
Can you also confirm that the sequence audio sample rate matches your audio track?
Vince Becquiot
San Francisco Bay Area
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Hi Mark,
What is your preview render format? I would try Prores, since that’s what FCP would convert to on import.
Vince Becquiot
San Francisco Bay Area
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