Forum Replies Created

Page 19 of 73
  • Uli Plank

    June 8, 2010 at 8:46 pm in reply to: Transparency alpha Problems (C4d Import)

    I’d rather do this in C4D: get your background footage on a plate in C4D and animate the glass bodies in front of it. This way C4D can generate refraction of your background (plus caustics, if you like) and it’ll look much more believable.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Yes, it seems so, I can reproduce it here on Mac OS X.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 31, 2010 at 6:30 am in reply to: AVCHD….why must it push me over the edge?

    AVCHD is a heavily compressed format. Any encoding to another heavily compressed format after treating it to AE can generate bad quality due to the compression losses stacking up. So, your wording seems OK to me, I’d call it crap too.

    AVCHD at typical camcorder data-rates is not really a pro codec. If you encode to a format with milder or no compression, you can preserve the initial quality, but you’ll need pretty beefy drives or a RAID.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 31, 2010 at 6:27 am in reply to: slow and sluggish

    Codec? Size? Layers? AE can be sluggish on any machine…

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 29, 2010 at 9:34 am in reply to: keying out without Chroma Keyer

    Try CS5!

    There is both the new Roto-Brush, which makes the task much easier if your footage allows (see Adobe.TV), and there is Mocha and Mocha Shapes, which can track a mask very well.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 21, 2010 at 1:52 pm in reply to: “Cannot play black movie” warning on 7D

    Careful! If the card connector has an issue you could brick your camera! Better get it serviced.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 21, 2010 at 6:36 am in reply to: After Effects CS5 to FILM OUTPUT

    Hi Todd, while we are at it: I know what LUTs are for, but which LUTs are supported in CS5? I tried a few, even from Color Finesse, but AE doesn’t like them.

    @ Rahul: talk to the film-out facility which LUT they use (if they are willing to share). You can grade in AE, but it’s not what I’d call a fluid workflow. Color Finesse is not really integrated into AE: no keyframes, masks or tracking in the full GUI. Do you have access to Apple’s Color? I made it cooperate with CS5.

    Regards,

    Uli

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 15, 2010 at 8:44 am in reply to: MacPro setup

    Upgrade to CS5 and get more RAM. You’ll need to upgrade the system too, but 10.5.7 will suffice.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 15, 2010 at 8:41 am in reply to: Export in h264 High10 Profile

    If you footage is very clean (computer generated?), adding a little bit of noise can help.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

  • Uli Plank

    May 12, 2010 at 3:40 pm in reply to: CS5 Audio sync problems

    The audio should be 48 kHz for video. 44.1 is typical for CD.

    Director of the Institute of Media Research (IMF) at Braunschweig University of Arts

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