[Tom Wolsky]

You do realize this is a wholly and completely and irrevocably new application and has zero benefit or basis in any antecedent and has totally nothing at all to do with legacy versions of FCP?

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

Fcp5? and later could.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

If you ramp the opacity in the video animation HUD it seems to work correctly.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

Not possible. Probably come one day. Maybe next rev. Or maybe we’ll have to wait as long as timeline scrolling, up to year 13 and counting.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

Actually I lied. You can slip the video in the multicam clip, you just can’t clip the video and audio separately. I wasn’t cleat if that’s what you meant.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

You can’t slip the content of sync clips in the multicam clip. If you want a cutaway edit it in as a connected clip. The idea of a multicam clip is to keep things in sync. That’s it’s entire purpose in being. Running multiple clips that remain locked in sync.

You can set separate roles for each person and export separate stems.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

You can’r move a compound clip from the project to the browser. You can make a compound clip in the browser and copy and paste or add content to it there.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

Very much like FCP7. Select all the clips. Make them a compound clip. Apply the broadcast safe effect to the compound clip.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

Lot of questions here, probably easier for all if you break them up, but I’ll give it a shot.

1. Yes. Opt-Cmd click on the connected clip to change the connection point.

2. Yes. Make a range selection on the clip and delete it. This will leave a gap. You could convert the connected clip to a storyline, Cmd-G, then when you make the range selection and delete, the timeline magnetism will close the gap, whichever works for what you want to do.

3. There is no U equivalent, just the three adjacent keys [ ] .

4. The selection amount in the timeline appears in the tooltip while you’re making the selection and at the bottom of the timeline panel. There is no source timecode display in the timeline.

5. Not sure quite what you mean with this one. You enter a compound clip by double clicking it. If you mean go to the same frame under the playhead in the compound clip that you’re under in the timeline, there isn’t, but it would be a useful feature. There needs to be more match framing options in the app.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand

[Tom Wolsky]

Use ClipWrap to rewrap to QuickTime or to transcode to ProRes or ProRes LT.

All the best,

Tom

“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press
Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand