[Tom Daigon]

You are right Angelo. That would be a better test. I look forward to hearing your results.

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

Well, all I can tell you is I cut a 4.5 minute instructional show where every shot had to be color corrected. On my fast system it took about 12 minutes to export. When I replaced Colorista with Adobe 3 Way CC (which I dont really care for) it took 4 minutes to export.

Tom Daigon
Avid DS / PrP / After Effects Editor
https://www.hdshotsandcuts.com
Mac Pro 3,1
2 x 3.2 ghz Quad Core Intel Xeon
10.6.8
Nvidia Quadro 4000
24 gigs ram
Kona 3
Maxx Digital / Areca 8tb. raid

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

Actually, CUDA cards do many helpful things, but they dont help speed up Colorista since it is not coded to take advantage of the card. The Adobe accelerated effects are fast, but personally I prefer Colorista 2 as well.

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

Here you go….

https://www.biscardicreative.com/blog/

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

[Bob Auiler] “also the source monitor doesn’t play out on your external monitor and the AJA setup in Premiere preferences is very unintuitive”

Sorry Bob, I respectfully disagree. I get Source playback through my external monitor with Kona 3. And I find familiarity with most ANYTHING (GUI) makes it more comfortable. Ive been using AJA products for many years and find the GUI easy to understand and work with.

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

AJA! AJA! AJA! They understand video.

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

I got that same error today. I solved it by creating a new sequence and just copying everything in the old timeline and pasting it into the new one. It worked like a charm.

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

Thanks!

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

So the Precomp of all the assets has the Logical name and the Master Comp ( that the precomp is a subset to) has the Adobe generated name. Is that right?

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3

[Tom Daigon]

PK, your idea sounds great but Im not completely clear on what you are doing. Could you describe it in a step by step manner (1. 2. 3.) so I can better understand it?

Tom Daigon
Avid DS / PrP / After Effects Editor
http://www.hdshotsandcuts.com
Mac Pro 3,1
8 core
10.6.8
Nvidia Quadro 4000
24 gigs ram
Maxx Digital / Areca 8tb. raid
Kona 3