Terry Leahy
Forum Replies Created
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Terry Leahy
June 30, 2017 at 11:52 pm in reply to: Playback isn’t smooth and can’t figure out best export settingLet me also add that the media is even on SSD drives. Should I also put my system on an SSD as well?
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Terry Leahy
May 22, 2017 at 3:31 pm in reply to: Best way to export from 4K Cinema DNG to HD H.264 for FacebookI typically keep a media managed copy with handles of the RAW data from the timeline, I was more curious which leads to a better result.
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Shane,
So when you do that final export out of resolve I’m guessing you used an AAF from
Avid to bring the file in as opposed to a video mixdown or reference movie right? Makes sense I’m just creating extra DNXHD footage when I recut online I was just worried about lower thirds and other graphics playing nice with Davinci.Terry
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Got it! H.624 is how I end all of my digital projects as most people hire me for YouTube Vimeo and Facebook needs. I don’t make films but I like to keep myself trained and ready for that when the time comes so I was curious what others do.
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Terry Leahy
February 23, 2017 at 3:35 pm in reply to: CS6 XML works in After Effects and doesn’t work in PremiereNeeded to add this! You need to open the XML in After Effects, then save it as a premiere project AND THEN import the premiere project from the media browser.
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Terry Leahy
February 20, 2017 at 11:48 pm in reply to: Very Stupid AVID Import AAF from DaVinci Audio Problem – Never used to be a problemFigured it out kids and guess what, it was even stupider than I thought. The AAF being created was created with a “/” so AVID couldn’t figure out what to do with it. Then I noticed the name of the audio file was 170121_001 so I Changed the name of the original track from that to 170121 Track 1 and it worked. AVID hates slashes and underscores.
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Terry Leahy
January 25, 2017 at 11:45 pm in reply to: CS6 XML works in After Effects and doesn’t work in PremiereFigured it out. Adobe is just an asshole. You have to start a project and then import from the source browser and click selected sequence and then it works.
Cheers!
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I went with the Tokina and man that thing is great with the Ronin. Deep Focus and nice and wide, it handled very well!
Thanks for the input my man.
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Thanks John,
I already have both, I was just seeing if anybody preferred a certain lens for certain reasons. I saw some incredible Tokina Movi footage so I think I’ll go with that. I just always love to hear real world experience with certain lenses/focal lengths.
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I just may have figured it out a different way. If I want to have the individual files intact..I can just export from resolve into ProRes. I just did that and the audio came out perfectly clean. I can easily create the original MXF and then for the audio chunks I want to change etc. I just export that clip in Prores and I have access to the audio tracks. Sloppy but it works. Maybe it has to do with Resolve and MXF files….