The filter is a quick and dirty way to pull it off but they actually work. I think there’s an explanation on Tiffen’s website. If we are doing it for our self, we shoot a stop or two down at dusk and adjust it with the color corrector in post. If I’m doing it for someone without experience in color timing, I use the filter. We darken it in post and use a blue enhancement.
Avoid shooting the sky. Shadows are ok because it will look like a full moon. To experiment, shoot something outside at night during a full moon using the cameras 3200 white balance. Now, shoot something at dusk and color correct it. Do a split screen and match the two. Some color correctors have a day for night preset, I think.
This subject was covered in an HBO First Look about “Escape from LA”.
Steve Wargo
Tempe, Arizona
It’s a dry heat!