Forum Replies Created

Page 72 of 366
  • Steve Eisen

    January 23, 2012 at 7:24 pm in reply to: Exporting Issues

    You’re using a fakename. Sorry I couldn’t resist.

    Hard to tell without know specifics like sequence settings, how you are previewing, etc.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Unfortunately there is no standard. A lot depends on years of experience, talent and the budget for the job. I’ve been editing for 25 years and I get anywhere from $450 a day to $1000 for an 8 hour day. That’s US Dollars.

    One thing I would not do is give a flat rate. You will get screwed.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • [lewis streete] “could that be affecting me when I’m running Vuze and VLC”

    Can’t help you with non FCP related items. You’ll have to go to the Genius Bar or email their support.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    January 20, 2012 at 2:11 am in reply to: AG-HPX370 or AG-HPX500??

    I’ve never had a problem with mine.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    January 20, 2012 at 2:02 am in reply to: How to transffer Digibeta to FCP via AJA express

    [vihang walve] “so where can i find the Uncontrolled device option.. its certainly not on the deck..”

    Listen to Shane. DO NOT USE UNCONTROLLABLE DEVICE. If you really want to find it, read the $@#*&! Manual. That would be under the Help Tab.

    Make sure your settings are for NTSC and not the 1080 23.98 you think you want. You are just asking for trouble.

    All this information is also in the manual. Read, read, read. Like Shane said, this is basic stuff.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • FCP likes playing back FCP friendly codecs (DV/DVCPro, DVCPro HD and all flavors of ProRes) from external Firewire 800 minimum hard drives.

    Editing with h.264 and other long GOP (HDV) codecs really take a toll on playback.

    [lewis streete] “I thinks it’s from repeat abuse in my bag which is highly possible”

    Very unlikely. Learning the correct workflow makes life much easier for the editor.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Command 1 and 2

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    January 19, 2012 at 7:59 pm in reply to: AG-HPX370 or AG-HPX500??

    I own the HPX-500 and HPX-170. Looking to trade up to the HPX-250! Anybody need a 170?

    I can agree what Ryan says about AVC-Intra for the HPX-370. On the other hand, The HPX-500’s 2/3″ chip is very nice. Great depth of field. You also get 4 independent channels of audio.

    Either way, you are getting a great camera that will last a very long time. I would hold off purchasing anything until after NAB if possible.

    [Rob Ainscough] “Does the 370 support external mounted LCD and zoom wheel?”
    You can mount an external LCD and can support Zoom/Focus for the lens.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    January 18, 2012 at 9:21 pm in reply to: L+T/importing 7d footage problems

    Just like Shane said, without the FULL card structure, FCP is useless.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

  • Steve Eisen

    January 18, 2012 at 8:30 pm in reply to: Connecting P2 AG HPX to Mac

    This time, I’ll make it easy for you. Next time, you may not be so lucky.

    https://library.creativecow.net/ross_shane/tapeless-workflow_fcp-7/1

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Final Cut Pro Users Group

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