Steve Connor
2
Apple Final Cut Pro X Coins
2
COW Coins
Forum Replies Created
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I’ve done a few edits with PPro with my Catalina Mac and it’s been fine
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Perhaps we’ll get a “maintenance” update first. I imagine most of the Apple apps will have them
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[Oliver Peters] “Not sure if it’s the camera or YouTube, but even at the 1080p setting these look very compressed and the image is rather soft on any of the shots that are held for a while.
Impressive for what it is, though.”
Would like to see this on Vimeo, I suspect the YT compression isn’t helping
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[Tony West] “Give me a SONY.”
Like the new FS9 ☺
https://pro.sony/en_GB/products/handheld-camcorders/pxw-fx9
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Resolve is moving forward so quickly, I’ve been very impressed by it
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[Oliver Peters] “[Steve Connor] “Brilliant!”
Really? Don’t you think this is a solution in search of a problem?
“Yes, but it also a bit of fun 🙂
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[Shane Ross] “A “boring detector.” Any shot over a certain length of time gets flagged as boring (in the CUT page, specifically).
“Brilliant!
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Great idea – big fan of Filmic Pro
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[Oliver Peters] “If you use the Adobe workflow, it’s self-contained and generally the proxies are there without any extra effort. You can simply toggle between proxy and full-res files. If you create proxies externally, you then have to go through a process of attaching those files to the high-res in Premiere, so that you can then toggle between. Audio configuration of tracks becomes an issue in that case.
The alternative is to create low-res (ProResLT or ProResProxy) files to edit with – using Resolve/AME/Compressor (never introducing the full-res files into the Premiere project). Edit with the low-res as if they were master files. When you are done, relink in Resolve to the full-res. Or remove/hide the low-res and relink in Premiere.”
Thanks Oliver
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[Oliver Peters] “Ugh. It would make more sense if it was a director who also edited”
I know, I actually have TWO projects that have exactly the same scenario, not enjoying them at all!