[Aindreas Gallagher] “any modern VA editing system that has modes, the manipulation keyframe timeline, and god knows what else growing out of every clip like an elephantiasis tumor top hat is maybe not completely on the money yes? And then there’s the square tomato colour wheel. Surely the thing is that X is so insanely moronic in so many odd ways.
to get a proper colour corrector in X you have to float the window or have the plug in GUI interfere with the scopes. X feels so weirdly determined by its physical shape. And apparently apple are loathe to alter it. so you have a grey strip with the most ridiculous timecode reader god ever invented. maybe there is a floating timecode reader now.
tens of thousands of editors are going to land on apple, out in the world, with both feet, for X, until the sun goes cold. Apple went up their own ass on simplicity, rigidity and the in house hothouse, some people followed them. Also have they successfully split temporal and spatial smoothing options there in the last release because I’m not totally sure. Just take a moment and look at that keyframe system architecture.
No, I’m really not joking you. Seriously – try and look at it steadily for more than ten seconds.
“
You’re funny