Shin Kurokawa
Forum Replies Created
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They did a complete make-over of the website
recently, so maybe the files/pages you’re looking
for are buried somewhere.Each installer comes with a basic manual.
Also, ask about the large (200MB+) html tutorial package
that has host-specific notes (e.g. FCP, AE….)-Shin
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Have you checked out the online projects at :
https://revisionfx.com/rstwixtortutorials.htm
Also the FCP section of that big (200+MB)
“Twixtor Basics” html tutorial.
It covers this plus many topics.
-Shin -
Have you checked out the online projects at :
https://revisionfx.com/rstwixtortutorials.htm
Also the FCP section of that big (200+MB)
“Twixtor Basics” html tutorial.
It covers this plus many topics.
-Shin -
No worries. Happens often when (re)installing/deleting/
modifying plugins.
It has to do with a ‘cache’ file that FCP maintains.
Look for a file named FCP POA Cache.
It should be in your ~/Library/Preferences/FCP User Data
Delete it, and restart FCP.
Should work.
-Shin -
No worries. Happens often when (re)installing/deleting/
modifying plugins.
It has to do with a ‘cache’ file that FCP maintains.
Look for a file named FCP POA Cache.
It should be in your ~/Library/Preferences/FCP User Data
Delete it, and restart FCP.
Should work.
-Shin -
Right. I just happened to meet a couple of customers at NAB
that had the exact problem. Just because the
manufacturer has “24” somewhere in their cam(corder)
spec does not mean the footage _is_ 24p or can
be inversed (IVT’ed) to obtain 24p frames!That Cineframe24 mode is, as far as I can understand it,
an ‘effect’ to mimic the 24p+3:2pulldown=60i effect,
and if you try to do an inverse, you’ll get progressive frames
that alternate between full resolution and half
resolution, which is horrible.
That’s because Cineframe throws out a field
at appropriate places.
Nothing like a true 3:2 pulldown, though it _looks_ like
a real pulldown-added footage when it’s running at full speed.So the best solution would be, if you want to use
Twixtor and other effects and need access to
full resolution frames at all times, shoot in 60i.
A combination of Fieldskit and Twixtor, though a bit
slow, is quite useful for creating 24p output from
60i/50i etc. In a pinch, you could skip the FK step
completely, since Twixtor can deal with interlaced
input and output progressive frame as well.Check out the big Twixtor tutorial on how to do this…
The big one…
https://revisionfx.com/rstwixtortutorials.htm-Shin
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Right. I just happened to meet a couple of customers at NAB
that had the exact problem. Just because the
manufacturer has “24” somewhere in their cam(corder)
spec does not mean the footage _is_ 24p or can
be inversed (IVT’ed) to obtain 24p frames!That Cineframe24 mode is, as far as I can understand it,
an ‘effect’ to mimic the 24p+3:2pulldown=60i effect,
and if you try to do an inverse, you’ll get progressive frames
that alternate between full resolution and half
resolution, which is horrible.
That’s because Cineframe throws out a field
at appropriate places.
Nothing like a true 3:2 pulldown, though it _looks_ like
a real pulldown-added footage when it’s running at full speed.So the best solution would be, if you want to use
Twixtor and other effects and need access to
full resolution frames at all times, shoot in 60i.
A combination of Fieldskit and Twixtor, though a bit
slow, is quite useful for creating 24p output from
60i/50i etc. In a pinch, you could skip the FK step
completely, since Twixtor can deal with interlaced
input and output progressive frame as well.Check out the big Twixtor tutorial on how to do this…
The big one…
https://revisionfx.com/rstwixtortutorials.htm-Shin
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breakfast?!
C’mon, you guys are waking up
too early. 😉Seriously, after 3 yrs of missing it,
I swear I’ll make it this time around.
😉
-Shin -
maybe use an isolation mount or steadcam during a shoot?
-Shin -
maybe use an isolation mount or steadcam during a shoot?
-Shin