Forum Replies Created

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  • Shayne Weyker

    August 16, 2006 at 2:24 am in reply to: No image stabilizer in academic version?
  • Shayne Weyker

    May 23, 2006 at 2:25 pm in reply to: Graduation DVD

    The following document will at least tell you what a lot of pros (albeit documentary makers) who have spent a lot of time thinking about this have come up with.

    https://centerforsocialmedia.org/rock/backgrounddocs/bestpractices.pdf

    Here’s what it’s about…

    “Documentary filmmakers have created, through their professional associations, a clear, easy to understand statement of fair and reasonable approaches to fair use. Fair Use is the right, in some circumstances, to quote copyrighted material without asking permission or paying for it. It is a crucial feature of copyright law. In fact, it is what keeps copyright from being censorship. You can invoke fair use when the value to the public of what you are saying outweighs the cost to the private owner of the copyright.

    Download this useful handbook, written by veteran filmmakers to help other filmmakers understand some instances where using copyrighted material without clearance is considered fair use.”

    I think a summary of the most interesting bits from that document ought to make it in the CoW magazine or newsletter.

    –Shayne Weyker

  • Shayne Weyker

    April 19, 2006 at 12:31 pm in reply to: adjusting PAR for imported stills

    So in File > Interpret Footage should I set it to conform the stills to the project (.9) or use the PAR from the jpeg file (1.0)?

  • Shayne Weyker

    April 17, 2006 at 3:35 am in reply to: Import Flash animation

    If you have the Flash program and can open the .swf in flash you can export it back out of flash as an uncompressed AVI. The AVI can then be imported to other programs.

  • Shayne Weyker

    April 17, 2006 at 3:31 am in reply to: adjusting PAR for imported stills

    The pictures looked a little stretched or squished (can’t recall which now) when played back in the timeline. I figured it had to do with the pix using square pixels and the project being non-square/DV pixels.

    –Shayne

  • Shayne Weyker

    January 13, 2006 at 5:55 am in reply to: cleaning up low-light DV footage

    Was that added in 1.5?

    I have 1.0 and nothing comes up when I search for either a highlight or shadow filter.

  • Shayne Weyker

    September 5, 2005 at 1:57 pm in reply to: Looking for a way to index a LOT of footage

    I like ScenalyzerLive a lot and love the index feature.

    But it can’t control an analog deck/cam. And the tapes he has are all analog. Doug *might* be able to fast-play the tapes manually in his hi8 cam and output through a A->D converter or DV camacorder, and then capture the fast play. I don’t know how the a/d converter will like being fed sped up video. But since the total running time will be shorter the storage space will be reduced. Scenalyzer’s optical scene detection might even work some of the time.

    –Shayne

  • The cost of paper + toner and the time to punch and bind it don’t make that so attractive.
    I am looking for used manuals people didn’t need anymore once they got Xpro HD.

    –Shayne

  • I assume you want maximum quality in minimum file size. With 2 minutes length you might need to go under 1024kbs depending on your audience (especailly if any of them have slow machines and 56K modems), and your webhost’s disk space quota and bandwidth limits.

    If your project is made up of animated stills with no or almost no interlaced sources then I suggest doing File > Export Movie out of PPro at 24 frames per second, progressive (24p), 720×480 (or whatever your project’s resolution was), uncompressed AVI.

    Then exit PPro and use the use the standalone Windows Media Encoder (available free at download.com) to encode the uncompressed AVI outputing a
    24p
    320×240
    512kbs
    movie with audio quality no higher than you need (voice and low-fi music are fine with FM-quality audio).

    Be sure to max out your quality in WME under options > performance.

    Here’s a sample of a 512kbs 320×240 24 fps progressive WMV file done with the above process, based on some stills of varrying size.

    https://www.belmontconferencecenter.com/images/PicturesMovieWMV.wmv

    –Shayne

  • Shayne Weyker

    June 15, 2005 at 9:40 pm in reply to: advice on a graphics card to run dual LCDs

    I have 2 17″ LCDs at that res (1 DVI 1 VGA) running off an nvidia FX5200 on a 3GHz 1GB machine and it works fine with PPro 1.0. Though I don’t do effects beyond simple titles and dissolves.

    If you’re upgrading anyway and think you may want to do effects or go to 2 DVI monitors later, then you may want something better than the 5200.

    –Shayne

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