Shane Ross
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Go here:
https://www.blackmagicdesign.com/support/family/capture-and-playback
Download DESKTOP VIDEO…10.5.1 or 10.5.4 are the most stable under OS 10.10…
Shane
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You’ll need this:
https://www.blackmagicdesign.com/products/decklink
The Decklink Mini Monitor (at the bottom with all the other models). $145.
Shane
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Shane Ross
November 2, 2017 at 7:19 pm in reply to: Video File Still Too Big After Export to Desired Format[Dave LaRonde] “Three hours is an EXTREMELY long time in YouTube — they may not even accept something that long. “
I guess you haven’t seen the 10 hour loops on YouTube of things like Nyan cat or other inane songs. Or the fireplace that goes for 16 hours. They have LONG videos on the Tubes
Shane
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Yeah, that ONE RAID is 16TB. And I still have lots of other FW drives, including the very FIRST FW400 drives I bought to use with FCP 2.
Shane
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Shane Ross
November 2, 2017 at 5:27 pm in reply to: Proxy files 10 times (maybe 8) more sluggish than original filesKnowing codecs helps too. Making ProRes files vs Uncompressed would be better…both are 10 bit, but ProRes has a lower data rate.
but you did say PROXY files…not OPTIMIZED, right? What codec did you convert the files to?
Shane
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Yes, but mainly as archival now. Show masters, camera offloads. Although I have camera cards also backed up on separate external drives, and show masters archive on separate drives with full project consolidations, it’s nice to have these here and easily accessable.
Shane
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I have an old 2008 MacPro running 10.6.8 around for just this purpose. That, and it connects to a 16TB Raid that won’t connect to a new machine…old connection. So I keep this around. Best thing to do if you need to open older projects or deal with older media, keep an older machine
Shane
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[Erik Lindahl] “I wonder if they’re going to sort out the compound clip nightmare when sending edits to apps like Resolve.”
You can un-compound them in Resolve. Simple right-click menu option away.
Shane
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It’s Free! yaaay! It’s a great cross-platform codec! Yaaay!
Buuuuuut the networks won’t adopt it…they’ll keep asking for ProRes for another decade. And Avid will still work with DNxHR…Apple with ProRes. Adobe will keep insisting it works fine natively…although I’m sure you can use Cineform with this, but will Adobe do what Andrew suggests? Optimize for this codec like Avid and Apple do?
Shane
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