Shane Lawrence
Forum Replies Created
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Excellent – thanks! I’ll give it a go.
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I have restarted my computer which does nothing. And in answer to your other question: it does absolutely nothing. It simply closes the “Import File” dialogue box and then…nothing. Incidentally, the files are avi’s. I’ve never had any trouble doing this before though…
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I get what you mean, but it’s mainly a question of available resources. I don’t have quick access to a Mac, so doing the offline in PPro is much easier. When I finally do the online, I’ll throw it into FCP. As far as ProspectHD goes, I definitely don’t have the money for that.
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another possibility is to export it into Encore, which should automatically figure out the maximum bit rate when you go to burn it to disc.
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I’m a little iffy on Raylight as the documentation isn’t very forthcoming as to what it’s doing in terms of the codec. Also, the intermediate it produces doesn’t acknowledge the 4 channels of audio that the source media has, and that’s a problem for me. Cineform looks fine, but again I’m on a paper-thin budget. I’m planning on exporting my EDL to FCP and doing the master that way. I just really want to maintain the fidelity of my footage for when I go to colour correction.
Ultimately, I figure I’ll have to use one of either Raylight or Cineform, but I’m just throwing this out there to see if there’s another solution.