[Seth Thy]

Hi Jens,
they’ve edit it on FCP7, so I’m pretty sure they didn’t use any LUTs to REC709.
I’m not allowed to post anything online until movie is out, but I’ll try to at least post part of an image.
S

[Seth Thy]

ok, thanks J.
i’m still on version 12.3, time to upgrade than.
s

[Seth Thy]

[Marc Wielage] “Temp controls and Offset controls”

Hi Marc,
you meand Temp controls in Raw or…?
Cause I didn’t get raw, just ProRes 4444

[Seth Thy]

I’ll try to get original files, but I’m pretty sure there are no filters applied in FCP.

[Seth Thy]

great.
thank you joseph (again).
seth

[Seth Thy]

Hi guys,
I just reconformed the file in new location and everything is working just fine.
Tnx
Seth

[Seth Thy]

OK, great.
Thank you David.

[Seth Thy]

Hi Michael,
that’s good idea. I didn’t think of that…
I guess you mean that it is shot as psf?
Do you know how they can check that on Mac? Cause I don’t remember any settings for psf in FCP7.

Regards
Seth

[Seth Thy]

Hi David,
I agree about computer monitor. I’ve just sent my broadcast monitor to service, it will come back next week. The editor doesn’t have broadcast monitor, he’s working on 2 Apple Cinema displays and using one for preview.
But anyway, it’s weird that image looks progressive when source and sequence is upper filed…
You right, it could be that it is not translated properly. I’l ask them to check.

Seth

[Seth Thy]

thank you all, we decided to shot it with Sony FS7.
Seth