[Seth Melnick]

I tried everthing here

i separated the 2d layers – then i copied the main comp and removed everything except the grid and camera – I made sure the collapse transformation was on at all level (each pre comp also) – I emptied the cache – and it still glitchs on certain frames – and its a few in a row

interesting if i keyframe the camera position on the problem frames and copy it to a good frame just before – it looks like the bad frame – so its something about the camera position i think

any other ideas?

[Seth Melnick]

I tried everthing here

i separated the 2d layers – then i copied the main comp and removed everything except the grid and camera – I made sure the collapse transformation was on at all level (each pre comp also) – I emptied the cache – and it still glitchs on certain frames – and its a few in a row

interesting if i keyframe the camera position on the problem frames and copy it to a good frame just before – it looks like the bad frame – so its something about the camera position i think

any other ideas?

[Seth Melnick]

thanks for the reply – here is what I have

I have an image of a side of a building in a precomp – which is 2d

then I take 4 of those and a roof in another pre comp to make a building – this is 3d and all layers are 3d. (I actually have 6 different versions of this for different buildings)

then I have another pre comp with a grid of the 3d buildings – all layers are 3d

then I have the final comp which has the grid above as well as ground layers (with caustics) – a lot of lights – particular lux (for volumetric lighting)- some video clips placed within the grid

the only 2d layers that I have in the final comp are – a wave map (which isnt visible but used for the caustics) – the particular lux and particular partical effects – tried turning those off to see if that made a difference and it didnt.

if there is anymore info you could use to help id happily give it. thanks again

[Seth Melnick]

the monitor will NOT do this at all – it only passes through the format put into it – it doesnt have an sdi encoder built in

[Seth Melnick]

I have th fuji CAC lens and you can see its effects on a vectorscope – I plan on posting these pics soon but basically when using a color chart the lines “bulge” less with CAC on

[Seth Melnick]

Here is a review I wrote about the hpx500 – https://www.slmproduction.com/mainsite/journals/reviews/