Sean Scarfo
Forum Replies Created
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Actually friend helped me with this. If you export an Final Cut XML (w/o any effects on any of the clips), then when you import into Audition, it separates all the tracks.
However, I haven’t had this in a long time, so your mileage may vary.
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sigh… anyone?
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Unfortunately that doesn’t make my life any easier as asking an editor to accommodate a sound editor is like a Doctor trying to accommodate a dentist.
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Hey Everyone,
looks like a ‘found’ a way to make it work.
While sending to audition directly ‘Doesn’t work’ as for some reason it only see’s the top most audio level, if I manually export a FCP XML and then import it into audition, it DOES see all the audio components. Once I save the Audition session I can then export OMF.
Also, from what a friend of mine has tested is exporting the FCP XML and sending into Davanci and then exporting AAF from there.
Hope this helps someone!
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Hi Shane, I’d love to ‘yell’ at them… however typically my business / work involves being contracted ‘last’ in the project as sound editing and cleanup is way too common an after thought. Also, telling editors to modify their workflow heavily to accommodate me (the sound editor) is rarely a good thing.
I’d even pay for a plugin at this point.
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Yep, already submitted the feature request. IMO, this would make life so much easier for Premiere editors that collaborate with sound editors.
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Yea, I have CC, but not every premiere editor has it.
That link was pretty cool. Would def save me some time if I was doing the edit.
I just can’t believe in 2014, literally over 20 years after premiere has been around… the ability to ‘un-nest’ on the fly or export EDL/OMF with nested sequences (and have the edl and OMF point to the correct corresponding clips) isn’t available yet.
It’s probably been the number 1 gripe of mine ever since I’ve owned a license for premiere.
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Thank you. Wow, you are great beyond words. I swear, I’ve must have tried at least 2 dozen different ways. I saw the weird information in the Premiere properties screen, but had no idea how to correct it. I’m glad I invested in QT Pro a while back.
I owe you a coffee at least. I’m normally an sound editor, so if you ever need audio cleaned up, please feel free to reach out to me as I owe you one.
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Did you test the footage in premiere? When I get to 00:36:23 , I see jagged edges.
The footage looks fine before bringing it into premiere. However, if I try to export the footage as progressive, it bakes the interlaced jagged edges into the final product, which is bad.
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Yea, I was afraid you were going to say that.
Sigh, guess I’ll have to do that and manually line up everything again.