Forum Replies Created

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  • Sean Davison

    October 21, 2008 at 8:25 am in reply to: Online from Hell

    That looks like it should work – Let me make sure Ive got this right,

    From the finished offline –

    Dont Consolidate! Duck the finished sequence into FCP – relink the XDCam to newly imported Quicktimes (which I guess should match the Avid XDCam Imports in name length and track info) Media Manage and Batch Digitise the DVCProHD

    Its the relationship between the Original XDCams, the Avid imported XDcams (MXF’s) and the ProRes 422 XDCams – do the clips need to be relinked individually or will it do a whole folder?

    http://www.twotallmen.co.uk

  • Sean Davison

    October 19, 2008 at 6:42 pm in reply to: Online from Hell

    Thanks for the posts guys…I have the XDCam pluging on both FCP and the Media Comosers. The project has been digitised/imported in the States so I wont have to ingest anything. When the offline is done and he editor consolidates the sequence with 2 sec handles – I would usually auto duck that into FCP and redigitise. This will work with the DVCProHD but how would it work with the XDCam even if FCP can see MXF Files How would it know to relink back to the Avid MXF’s?

    http://www.twotallmen.co.uk

  • Sean Davison

    December 6, 2007 at 8:47 am in reply to: lost reel nos

    reel nos and timecodes! Bummer eh?

  • Sean Davison

    December 5, 2007 at 5:42 pm in reply to: lost reel nos

    No – Its almost certainly a bug – I trashed the prefs and started again and all is fine -i just lost 8 hours work though!

  • Sean Davison

    December 5, 2007 at 4:36 pm in reply to: lost reel nos

    No we’re capturing using the DVCProHD codec 1080i50

    S

  • Sean Davison

    December 5, 2007 at 4:18 pm in reply to: lost reel nos

    Thanks – Trashing the prefs works but wont bring my reel nos back – THIS IS A REALLY SERIOUS BUG!!!!!!!!

    I had an assistant digitising a project overnight (200+tapes) I have just had to start again.

  • Sean Davison

    November 1, 2007 at 9:35 am in reply to: 16 unwanted audio channels?

    Nasty! And how do I create offline media to recapture with no audio attached?

    At the moment I delet all the audio in th t/l – make sequence clips independent then create offline media in the mm – it always seems to have 2 audio tx attached to each clip.

    If I turn those off in clip settings – wont that affect the relationship with the sequence they come from (all be it with no audio tx?)

  • Sean Davison

    November 1, 2007 at 9:35 am in reply to: 16 unwanted audio channels?

    Nasty! And how do I create offline media to recapture with no audio attached?

    At the moment I delet all the audio in th t/l – make sequence clips independent then create offline media in the mm – it always seems to have 2 audio tx attached to each clip.

    If I turn those off in clip settings – wont that affect the relationship with the sequence they come from (all be it with no audio tx?)

  • Sean Davison

    October 24, 2007 at 7:33 pm in reply to: is pro res broadcast legal?

    The Broadcasters I deliver to have quite detailed specs in their deliverables about the type of Compression used in the Online Process – I wondered if any of them had revised their specs to allow Pro Res – Are you using Color yet Walter? – I’m finally getting it to work reliably over here!
    (only taken 18 months)

  • Sean Davison

    September 10, 2007 at 8:16 pm in reply to: referencing LHe and Kona 3

    Thanks Bob

    Im feeding each black input direct from the BBG with no looping. It works perfectly on the Kona 3 but differently on the LHe.

    I cant work out why it should be different from LHe to Kona 3

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