I am with you, Jeremy. I have been putzing on versions of Resolve since 10 and it’s not a great editor in comparison to X and (dare I say it) Premiere. I view it as a finishing box with all the “heavy-lifting” editorial happening in X.
I agree with Walter to a point about freelance editors need to know color correction. Yes, but knowing color correction does not equate to diving into Resolve color and knowing it inside and out. That’s not a great use of my time. Any color correction that I can’t do in X (or in the case of broadcast spots, won’t do in X in my studio) will go to Resolve and a trained colorist with a control surface, broadcast calibrated monitors and real scopes. I see no need to have my little company invest in that gear. I also see no need to force something to Resolve when it can be done in X, with plug-ins as needed.
Why the need to “jump”? Is X lacking something so important that you would jump to a beta product from a company just getting it’s feet wet in NLE’s? I will be interested in watching Walter’s experiences with a full blown series through Resolve. But I am not putting any client work of mine on the “bleeding edge” until I am sure the product is stable and I have a really good reason to switch from a product that works really really well for me as is.
My humble opine.
Scott Witthaus
Senior Editor/Post Production Supervisor
1708 Inc./Editorial
Professor, VCU Brandcenter