Forum Replies Created

Page 116 of 122
  • Scott Sheriff

    November 7, 2009 at 5:04 am in reply to: outputting timecode on HD110U

    Quick help
    Menu-other
    ouput char set to on
    When the output char is set to on, the composite video out mimics the VF/LCD display. Toggle the display (display toggle button)to show the TC if it isn’t up. Make sure the TC/UB menu the TC is also set to ON.

    Set the Video Format menu-HD PB Output to what your looking for.
    PB Tape-Auto
    Output Terminal-Auto
    This should give you composite out from the RCA composite gizouta
    970.433.5994

  • Scott Sheriff

    November 7, 2009 at 4:41 am in reply to: outputting timecode on HD110U

    Matt
    Are you trying to record video out from the camera right to a DVD recorder?
    Give me a call or email if you can’t find the #, I have this cam and a BR-50 deck. I’m sure I can help you out. probably just the switch settings.

  • Scott Sheriff

    November 7, 2009 at 2:27 am in reply to: Estimated time to online feature film?

    I don’t think 3 months is out of line for a 90 minute feature.
    As everyone said, there are so many variables, but heres an example.
    Did a low budget western this summer, about the same length. Source was 42 HDV (miniDV) tapes, that were A-B, so 21 per camera. No logging notes, and had to work from a script with no shooting notes. Logging took a month alone. Two months to get a rough cut, and an editors cut, with some preliminary CC work, and mix with SFX/music. This was with two of us ‘tag-teaming’ the project on two systems.
    Long story short, this project had a lot of problems, not logged, missing footage, continuity, picture and sound problems, but shows that 3 months can get used up pretty quick.

  • Scott Sheriff

    November 5, 2009 at 6:53 am in reply to: JVC GY- HD250 tapes in a Sony deck?

    Good to know info.
    Got to say that no firewire, would translate to won’t play for a lot of folks.

  • Scott Sheriff

    November 4, 2009 at 9:18 am in reply to: FCP, Snow Leopard and Gamma

    [walter biscardi] “Any external monitor is better than the Viewer Canvas in FCP. We’ve been saying for years on this forum to never trust the Viewer / Canvas. Heck I don’t ever trust the After Effects composition screen either, I only go by the external video output via the AJA Kona boards.”

    Yes, but only if it’s properly set up. I have seen plenty of big dollar external, broadcast monitors that were calibrated wrong, or that had drifted without the operator noticing.
    Scopes are less prone to operator ‘influences’, and are unaffected by ‘eye fatigue’, and don’t drift. And if your show gets rejected by QC, it because of what they saw on the scope.
    I would trust the internal FCP scopes and Canvas, more than an uncalibrated external monitor, given those two choices.
    Just my unwanted 2 cents worth.

  • Scott Sheriff

    November 4, 2009 at 8:51 am in reply to: color correction

    It’s in the manual, if you look.
    And it’s only been covered a hundred times B4.
    Did you try doing a search????

  • Scott Sheriff

    November 4, 2009 at 8:48 am in reply to: FCP slows to a crawl when Safari running

    Reminds me of an old joke:
    Guy walks into a doctors office and says “It hurts when I put my arm over my head”.
    And the doctor says “So keep your hands down”.

    Guy walks into the Cows and says “FCP runs slow when I run Safari”
    And the doctor says……

  • Scott Sheriff

    November 4, 2009 at 8:44 am in reply to: Best backup system?

    Could use more info.
    What machine do you have, what is it you want to back up……

  • Scott Sheriff

    November 3, 2009 at 8:36 am in reply to: Utterly OT-sound of View Master

    Distracted while typing.
    actually
    Scott@sstdigitalmedia.com

  • Scott Sheriff

    November 3, 2009 at 5:05 am in reply to: Utterly OT-sound of View Master

    I have several view masters. If you can’t find it, let me know, I can help you out.

    Scott@sstdigital.com

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