Sam Lanes
Forum Replies Created
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I have used both, to be honest.
It really depends if you need any post-work on the time lapse, which generally depends on how well the photos for the timelapse were shot, in my opinion.
If the shoot is well shot and the clips look fine in Premiere, then go for it.
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Yes, I usually wait until I have decided on the final clip before I make the export. I have just found some slow-downs on my system if I have too many dynamic link clips in my Premiere timeline before, so once I feel I have the final clip, I make the export.
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Are you re-exporting the clip as a full-quality file, or are you still viewing a ‘dynamic link’ version of the clip?
I personally usually use dynamic link to get the footage into AE, then export a new clip completely at full resolution rather than rely on DL to play the file back in PP.
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The rendering process only creates a render file that shows what will be seen on the screen at that point on the sequence.
Turning off tracks won’t make any difference.
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Is the transition effect on a higher video layer to the main video? If so, did you ensure that the track selectors on the left hand side of the sequence were all highlighted when you went to export?
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If all the audio that is in the ‘Master’ track is all from a single source, you could simply offline the audio clip and re-link with the correct one.
You can split the audio tracks for each clip you require in the bin if require (highlight clip > select Clip > Audio Options > Extract Audio), then highlight the clip you want to replace in the bin, right click and ‘Replace footage’.
You can then point to the ‘extracted’ version of the correct audio file and it will replace the one that is used in the sequence.
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What graphics card are you running? What are the principle formats you are editing?
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The Avid version Matrix should have all the information you need. The Mac info starts about halfway down, with links to lists of which Mac models are supported.
https://avid.force.com/pkb/articles/en_US/compatibility/en267087
everymac.com can be useful for identifying which Mac model you have, too, although its not always straightforward!
https://www.everymac.com/mac-identification/index-how-to-identify-my-mac.html
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Hi Steve,
When you import the clips, what audio tracks are the audio dropping onto? I would ensure that the two audio tracks are going onto separate mono tracks. I should think if the sequence is trying to interpret the two channels as L/R stereo, then it will sound pretty bad!
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Alternatively, is it possible to downconvert the HD signal to SD from the camera? I’m not familiar with the interface on that model.