Forum Replies Created
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Oh ok, so if i import the footage into a 25fps timeline which is what i have always done and then just use the speed/time values properties to manipulate the speed of the clip, (ramping etc) it wont be choppy? There are a lot of people using GoPro’s Cineform, After Effects or another compression stage first before importing it into Premiere Pro, or “interpreting” footage in AE or PP etc.
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See Aviv, that’s what i would have done. Some of the slowed footage i’ve seen though ends up being a little “choppy” is this why people are using twixtor? Twixtor has a few undesired distorions in it depending on the motion within the frame.
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Yeah but i can’t get a decent un-glitchy version of those.
can you talk me through settings possibly?
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Lol glad im not alone here. If i try to export at ProRes most of these issues come up. Plus it was all shot on 5DMKII with one GoPro shot at the opening and the Film Festival wants me to set the target bitrate to 50 and the max to 100 which i think is insane when the 5DMKII only shoots at 25mb/s anyway. But this may be just my limited understanding of bitrates!
That’s exactly what i would love to learn to do, how do i do that?!
To be able to export a Hi-Res master file both audio and visual and then re-import it as one video track and one sound track? is that it?
Can you talk me through this please? i feel like this would solve so many issues! -
Hi Chris, thanks for your reply,
No not yet, I’m trying a new export now with a slight change to the track/clip i believed to be the offending article. I tried a smaller export just around that clip before i made the changes and it didn’t have the glitch. Ive been having all sorts of export glitches around transitions with this project, up ’til now mostly visual. Like a repeating fade on a clip which is new. The image fades up and then in an instant blacks out and fades up again. Only on export though not in the timeline. Weird. I just shortened the clip slightly and it went away.
The hardest issue is viewing it back on LCD tv where the brightness is strangely higher even with the levels on the tv all turned low. It’s particularly bad because there are dark scenes in the movie that i hid things in darkness on screen but deliberately shot dark so that they would not be visible, like the edges of a pool but on this tv, they are sooooo visible. Only on this TV.
But thats for another forum…
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Did anyone get this sorted? im having it too right at the end of a 3 year project heading to the film festival and i dare not update from 7.2.1 in case it introduces other issues!
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Sai Kelly
February 15, 2014 at 11:23 am in reply to: adobe premier Audio Filter missing: Internal Volume MonoHi folks did anyone get a fix for this?
I have so many audio issues and glitches happening its unreal. Its like a project possessed! I have multiple crashes, i have pops and clicks but no peaks, i have audio filters going missing like above, playback is so buggy where one minute things are quiet, return the playhead to the previous place and its much louder the second time, do it again and its the original level! and many more but for now ill be happy with just the above issue being discussed; the audio filters vanishing. Sometimes leaving “filter offline (0)” on the clip when re-opening.
I spent 3hours in chat and then talking with adobe technicians remotely controlling my desktop a few days ago and nothing worked. I should show you the conversation! They keep trying to state its project specific, that i have to just start again from scratch! My point is, its happening to all my projects now and there are other people online with this issue so its not project specific, its a software issue!
Just a thought, where does premiere CC store the audio filters? I looked in the folders that AudioPlugin Manager suggested and there is nothing there I take it thats for VST plugins only?
/Library/Audio/Plug-Ins/VST
/Users/(USER)/Library/Audio/Plug-Ins/VSTIn the Available Plug-Ins list, where you can scan for them, the offending ones are not in it. The Path for the ones that are there is “Apple: (Filter)” e.g. Apple : AUBandpass. Where is this location, is this online? Is it as simple as them being dumped somehow? If so where do i get them again and where do i return them!
The ones that are coming up with the error are 1094998321 Dynamics1, 1095781937 DeNoiser1 and Internal Bass Mono. I have deleted all instances of this filter in the timeline of my project, i have tried what a few people have suggested on other forums (using text wrangler to rewrite some of the incorrect stereo/mono parameters in there on a copy of the project, it got worse. I had this a few years ago with video filters vanishing (AE: Magic Bullet Misfire :gate weave, Deep scratches and Vignette) but i figured that was a licence issue as i moved computers.
It’s not related to pluraleyes and the was an XML used from the original file two years ago when I left Final Cut Pro to come to Adobe Premiere. But this issue only started recently. Crashing also occurs when you manipulate a clip with an audio filter on it, looping it and changing audio parameters the way you’re meant to be able to!
I have posted in numerous forums; Adobe’s, DV Info, any that mention people struggling with this issue, but no response so far.
At the end of the conversation, the Adobe tech went to get more help from someone higher up and were supposed to call back, they didn’t and now won’t answer my emails. i received this:
Adobe Case Update
Your Adobe ID:xxxxxxx
Your Case Number:xxxxxxxx
Case Description:Chat:project specific issue (CH29736918)Customer to be followed up on phone number xxxxxxxxxx
This email is in response to support case #xxxxxxxxxx submitted by Sai Kelly.
To respond to this update or review your case history, log in to the Adobe Support Portal online and look for your case number in the “recent activity” section. Should you need to send us additional information, you can do so by opening the case and submitting your update.
If you have difficulties logging in, consult the Adobe ID and Membership FAQ.
Thank you,
Adobe Customer Care
I have responded, they haven’t. I have a deadline for this project for March.
Gurus, geniuses and gentlemen(and ladies) of Creative Cow, please help.
Sai
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Did you ever do that test Dave?
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Sai Kelly
March 28, 2012 at 4:18 pm in reply to: Replacing footage already edited in FCP with different codec footage, i.e. H264 with ProResAh bum, what do you mean by clean output? just uncompressed?
Do you know of anything out there that can bypass the DSLR’s camera compression, for the 5DMKII?
Cheers Raph
S
(Sorry moderators ill stop this line of questioning after this, as we’re moving away into another topic.)
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Sai Kelly
March 28, 2012 at 2:44 pm in reply to: Replacing footage already edited in FCP with different codec footage, i.e. H264 with ProResAhhwhwhwwwhwwhhh!! Geniusssesses.
Just wanted to share the good news. i have a working, scrubb-able project file, fully rendered and ready for more action.
Thanks so much for your input folks.
I left it this morning at 7am compressing (ProRes422) out into a new project on the external hd using media manager and today its all peachy with no errors or crashes so far. Didn’t do that renaming of the clips thing that you suggested Michael Gissing as i didn’t understand what you meant about the reel name issue, but thanks for your suggestion.
Thank you thank you thank you.
A-Very-Weary-but-Happy-Sai
🙂
On a side note, has anyone used the Atomos Samurai or Ninja? I get the impression that this would allow people to avoid all the transcoding hassle in the first place.