[Dave LaRonde] “Just as you wouldn’t try to green-screen Kermit The Frog, this guy doesn’t belong on a blue screen. You have to re-shoot. You can NOT salvage this video with chroma keying software.“
I couldn’t agree more, Dave. The second I opened the original question and saw the image, I immediately thought that a well-lit green screen would have worked. But blue? Not a chance.
Gray hair, gray in the shirt — not to mention that there is actually blue itself in the shirt — will all work against a successful key shot against a blue screen. Green would have been far better.
As you said, roto or reshooting are the only two ways out of this one that I can see.
Note: For those bumping into this thread later using the search engine, first let me congratulate you for using it and add that when keying, look at the colors that are in your shot and find the color that is not there, use that for your keying color. Things do not have to be blue or green only. I once set up a shot with a red screen and keyed on that. With the power of today’s keying software, you can do a lot of things that earlier means of keying couldn’t do in days past.
Best regards,
Ron Lindeboom
creativecow.net