Robin S. kurz
Forum Replies Created
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[Herb Sevush] “and you claim that there is an effective workaround”
Ah yes. As always. Unless of course, this time, you’d care to quote the passage where I said that? Spoiler: of course not. You can’t.
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
Have you considered a simple right-click in FCP? 😉
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
Why should you even care? You don’t even USE either of them, let alone together. 😀
Or is this just part of the usual long-tooth crusade? Because in that case… oh never mind.
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
[Tony West] “I would also prefer not to do those extra steps you mentioned. I was saying “before” those shots hit the timeline in X. I would bring them into Motion “first””
Or simply hit ⌘⇧R with the timeline clip selected and make a Motion project from the clip from there. Done. Publish to FCP and switch back and forth at will with a simple right-click or ⌘Tab. So… I guess someone needs to explain that thing about “not two-way” again? But then actually using the products has been know to work wonders. 😀
[Tony West] “X has all these really cool backgrounds that I love to build Motion graphics over.”
You realize of course, that all of those backgrounds are in fact Motion projects, right?
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
[Tony West] “It starts in X, goes to Motion, gets changed and sent back to X.
That seems like two directions to me.”Exactly. No idea how one could consider the exchange one-way by any stretch.
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
[David Mathis] “I have to create a countdown leader separately for each frame rate.”
Not if they are set up correctly and don’t themselves contain footage that has a certain timebase, no. Otherwise every single existing title, transition etc. would also need to be created for individual fps also. Any given title etc. doesn’t speed up or slow down depending on a projects timebase. A second is a second.
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
[Herb Sevush] “so show me the error of my ways”
Simply ignoring what I previously wrote would already be a brilliant start…
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[Herb Sevush] “That’s like saying apart from being a one way street it’s just like a two way street”
You’re clearly not the least bit up to speed on the integration of Motion in FCP. But that’s okay… speaking of ridiculous.
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
[Herb Sevush] “what should be done in a third party Ap.”
3rd party Ap [sic]?
[Herb Sevush] “do you have to “freeze” the edit before the exchange”
It’s what I commonly call “locked picture“, yes. Goes for both sound and color btw. But that may just be a weird workflow quirk of mine.
[Herb Sevush] “which is why I have such a problem with the way Motion now integrates with FCPX”
Aside from maybe not being able to send a clip directly from the FCP timeline, the integration is seamless. In very many ways even FAR better than what PPro and AE have (cue the subject of speed, not to mention editability), let alone what was possible in 7. But yeah… YMMV, as they say.
– RK
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Deutsch? Hier gibt es ein umfassendes FCP X Training für dich! -
[Herb Sevush] “Only if you think NYC is part of LA.”
Wow. That’s almost gets us to the 2% overall mark! Just not quite.
But yeah, as we all know, the only relevant and existing market is of course the U.S. one. Gotta stop forgetting that.
– RK