Thanks, Craig, this is an interesting resource. I moved to Premiere because I didn’t like the X model but I’m a little disappointed with Premiere and the Adobe software model, for practical reasons.
Thinking again of FCPX and also of switching to Windows for a cheaper, more solid Premiere.
Here’s a notion I picked up from somebody about X and track-based programs:
I started with track-based NLEs (and track-based celluloid) as analogic to music scores written on staves with a separate staff for each line (hand in piano) or instrument, linked to a common timeline.
FCP X might be more like a post-John Cageian score written as floating in a large manuscript page with no controlling timeline, musical moments or events linked to each other spatially.
I guess plus database links, which Cage didn’t use.
What do you think?
Cheers,
Robert
Robert Withers
Independent/personal/avant-garde cinema, New York City