[Robert Houghton]

Effects done using those transfer modes unfortunately require the use of a 3rd party plugin for checking like Scopo Gigo or Color Finesse. This color palette will work for those folks who are assembling images in Photoshop with basic color choices. The purpose of this palette is to help keep folks away from making color choices too saturated in Photoshop.

-Rob

Motion Graphics Animation
Professional & Freelance
Respond2

Opinions expressed above are not in any way connected to Respond2.

Personal website under construction 😉

[Robert Houghton]

Hehe, I thought it would list it automatically 🙂

I’ll send it to you guys, tell me what you think…

rhoughton@respond2.com

Motion Graphics Animation
Professional & Freelance
Respond2

Opinions expressed above are not in any way connected to Respond2.

Personal website under construction 😉

[Robert Houghton]

Exactly!

Motion Graphics Animator and consumer of most things caffinated.

[Robert Houghton]

A quick fix would be to render out the animation at the point of the handshake with a matte channel, then use the render to track matte the layer on top of the new animation. This way the camera data for all intensive purposes is included with the animation without using a camera. For example…

1. ==Track Matte Render (2D layer so that the matte reflects accurately where the key happens.
2. ==Handshake (Inside) Animation (Probably not set to constantly rasterize, that way the animation retains it’s own camera information.)
3. ==Original Handshake Animation (This layer will still be needed for a background)

Does this make sense?

-Rob