[Robert Gilbert]

Thank you very much, Mads. My reason for exporting the AAF was actually to show the project to a potential audio editor to see how much he would charge me to sync it. Someone suggested I send him a FCP xml instead. What do you think?

[Robert Gilbert]

Thanks, John.

[Robert Gilbert]

Thank you all very much. The idea of not using a LUT might be the way to go. I just wanted a quick way to correct the LOG footage. The number of choices is daunting and I can’t delve too much into color, so when I learned about rec709 I thought I had found my quick solution. But when I added the LUT it was like pulling down the curtains! Yipes!

I would really hope to get better exposition without the LUT: in fact, the LOG footage never seemed underexposed to me. We shot in both LOG and RAW 4K. I’m actually a film director, and editor. I don’t know much about cameras or color. It looked good in the monitor on set and didn’t seem underexposed as LOG in Premiere.

The important question for me now is: how can I correct the LOG footage without darkening it? You did suggest some methods of correcting it manually but I’m a little bit color blind and don’t have a whole lot of time or knowledge of color, so a headstart like a LUT would have been great.

Any other suggestions would be much appreciated. I would be happy to provide any specs I can. Thanks!

[Robert Gilbert]

Thank you, Hector!

[Robert Gilbert]

p.s. You can also write me directly at memorare.members@gmail.com Might be easier. Thanks!

[Robert Gilbert]

Thank you very much, Mads! Have a nice weekend.

[Robert Gilbert]

Someone suggested using Lockdown (aescript) but it’s not cheap. https://www.youtube.com/watch?v=M1prcd03L2s

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[Robert Gilbert]

Please do! Thanks, Mads.

Please see this clip: https://drive.google.com/file/d/18m7s6yvF5Y-DfqP1C8XWg77LkVMJLlSa/view?usp=sharing

drive.google.com

stubbleCU.mov

stubbleCU.mov

[Robert Gilbert]

Thanks, Eric!

[Robert Gilbert]

Thank you, Mads!