[Robert Gilbert]

Thank you very much, James. I think I’ve found the problem in the SCC.

[Robert Gilbert]

Thank you, Devrim. I did a test of one clip using prores 422 and it came out nice! Now I’m looking at another one that has some kind of grimy noise probably due to low light and added scale fx. Hoping Neat Video can handle it.

[Robert Gilbert]

Thank you very much, John!

[Robert Gilbert]

Thank you very much, Ty.

[Robert Gilbert]

Sorry: “cold out” and “If you’re close in time, but are too long” Thanks!

[Robert Gilbert]

Thank you, Ty. That sound like it might be a good option but I don’t understand the jargon. Could you please explain it more simply? Thanks

[Robert Gilbert]

Thank you very much, Tod.

[Robert Gilbert]

Thanks so much for all that important info, Tod. That will give me quite a head start on my “first pass.” Hopefully the second will hit the mark!

Please also let me know if you know of any online guides to this process.

Thanks!

[Robert Gilbert]

Thank you very much, Devrim and Todd. I guess I should have mentioned that this is a micro-budget production, so I don’t have access to high-end facilities. It seems like I would need to project it in a theater to do a proper quality control, but wouldn’t that mean making a DCP first, showing it in a theater (if they’ll let me) and then, based on how it looks on the big screen, tweaking the DCP, or tweaking the original and making a new DCP from scratch?

[Robert Gilbert]

Thank you very much, Mads.