Robbie Carman
Forum Replies Created
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Bastiaan – after a closer look I had similar results with the .ARI files. Not sure what the issue is, you mentioned firmware on the camera, I’m not sure what the version the shots I have to test came from. But I can say I’m seeing similar results. The ProRes Log stuff though looks fantastic!
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
[Bastiaan Houtkooper NSC] “I was involved in the process of testing the LUTs before it went online. I know a bit about it :-)”
Cool! Great work then its a fantastic tool
[Bastiaan Houtkooper NSC] “Apparently you haven’t seen an .ARI file in Resolve. It is seriously of the scale.. (Talking Alexa RAW, not D21)”
Yes I have. We’re doing a project shot all the Alexa next month and an Arri Rep I know gave me a ton of footage to test both ProRes and Raw, 709 and Log. But to be honest I haven’t spent a ton of time testing the RAW files as it looks like the project is going to go the ProRes route.
I’ll pull some of the RAW footage I have this afternoon and see if I’m getting the same results
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
have you checked out the Arri LUT Builder? Sounds like your issue is a LOG issue i.e. flat footage that I’m guessing your monitoring 709
Awesome tool, simply select the options you want and choose resolve as your system and then you have a display LUT for Log C footage coming off the camera/your recorder
here is the link (note you have to be registered. Just click the learn more button on the left hand side of the page
https://arridigital.com/technical/luts
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
yes not the most quite of devices. I wouldn’t say it sounds like the old G5s but its not quite either
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
what slot are the graphics cards in?
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
on a pc? did you try to install 1.5 on top of an existing install? I had a similar issue and the fix was to completely uninstall the software and then reinstall
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
Thanks Hersh and Joshua for your updates. (Joshua I just responded to your email).
After Luke informed me about the profile tie-in, now gamut highlighting it does indeed work for RGB however I still can’t get the highlighting to work for out of gamut luma. I’ve restricted my profile to 100 IRE played with sensitive settings and even if trace is clearly above 100IRE its not being highlighted RED. Granted it does show up in the log and I can clearly see that its out it would be nice to have that highlighted back.
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
Thanks Luke.
This is very very helpful. I wasn’t aware the the logging profile impacted out of gamut highlighting. However on the B/W waveform or Comp or Both for that matter out of gamut trace is still not being highlighted RED like it is on the Parade. This is the same for the default profile or a profile that I make. Was this intentional or a bug?
Also the error logging is pretty useless to me at the moment because of another issue I’ve been trying to figure out. Before I moved to Resolve I had a Kona 3 in my machine and it based Timecode to the Ultrascopes via SDI. Now however with the Decklink Extreme 3 the card doesn’t seem to pass timecode to the Ultrascopes, thus making error logging not all that helpful. Any ideas on this one? I’ve looked everywhere for an option but can’t seem to find one.
Thanks for your help!
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
michael well said. I was writing almost the same thing as you posted
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion -
[Joseph Owens] “ektronix holds the patent on that type of display — but its not, in fact, totally valid as a gamut warning in the Y’CbCr system as there are legal values in both that do not translate directly into the other, or to baseband composite which has its own gamut envelope in Y+C.”
Yes your right about the patent JP. Harris with their Iris display is a fine alternative, BM could do something similar showing the same type of information but on a different type of graticule. And granted its not a total solution 98% of the problems I encounter from QC are gamut issues even run through a DL 860 which in itself is not a “one stop” fix it all solution either.
Robbie Carman
—————-
Colorist and Author
Check out my new Books:
Video Made on a Mac
Apple Pro Training Series DVDSP
From Still To Motion