I’m need to do the same thing…except I’m offlining in Avid @ SD and onlining in FCP HD.
Why not edit in FCP? We already have six Xpro stations with staff editors that are Avid fans.
I am going to rent the FRConverter and input my 48 and 60 overcrank into the avid along with all the other 24p.
If I want to play my 48 and 60 as normal speed can I have two copies in my offline? One converted and one not?
I’ll then cut the show as normal.
Anyone ever taken this type of sequence to FCP for finish? Auto duck or edl better?
When I redig can I decompose the seq and isolate the 48 and 60 and dig those clips seperately based on the hand labeled clip speed in my bin?
Am i asking for it in the kisser?
Thanks