Richard Herd
Forum Replies Created
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[Matt Kelly] “Sorry for the late reply! “
Me too!
Sounds like a fun project. Just note that in a real environment we can change “how are you being graded” to “how are you being paid.” So going even further here there would be a single “A” to earn (a 4.0) and the rest of you would split it equally into Ds (1.0 each) 🙂
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[Scott Clements] “I went to make a multicam sequence from 2 separate merged clips and discovered I couldn’t.”
Yes you can. Did you get this sorted out?
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Richard Herd
May 6, 2015 at 7:44 pm in reply to: Two Mono Audio Clips Above/Below + 1 Panned Right, 1 Left = Channel Volume Dependent on Which is on Top! W.T.F?!I would look at the audio mixer and make sure the track is neither turned up, nor panned.
If that doesn’t help, more experiments: in the preferences, choose Audio > Default Tracks. From there you can experiment further.
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Richard Herd
May 6, 2015 at 7:13 pm in reply to: Can someone please explain how Premiere’s playhead works? – especially when working with audio.[Scott Clements] “you have to use what clients want you to use”
Interesting. None of my clients care what NLE I use. (I make commercials.) I use CS6. For me my favorite tool in the Adobe suite is Audition. Premiere, for me, is more like a hub-point to aggregate content via Dynamic Link. I end up using Prelude and Project Manager from inside Premiere quite a bit in my workflow because it makes things a bit more streamlined when sharing through Dynamic Link.
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Richard Herd
May 5, 2015 at 7:34 pm in reply to: Can someone please explain how Premiere’s playhead works? – especially when working with audio.[Scott Clements] “behaving completely differently to other NLEs”
One question is: Why did you leave the other NLEs if you like how they do their thing?
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What are you trying to do, exactly?
If you hit “S” it will open the scale twirly. If you hit OPT-S, it will set a scale keyframe wherever the playhead is. If you set a keyframe, either by OPT-S or by mouse-clicking the keyframe icon, then move the play head and adjust the scale, AE will automatically assume you want to set a new keyframe to the value you’ve adjusted to.
There are other features-not-bugs that can happen. Right click a keyframe and chose interpret… and you will find more options. You more-than-likely will want to choose “linear interpolation” for you keyframes, at this point.
What I think you’re doing by accident: You are setting a keyframe at let’s just say frame1 and then you watch your video and it isn’t quite right at frame20 (or whatever) and so you adjust your scale setting. AE will then render the values between frame1 and frame20. To solve that, you’ll need to duplicate frame1 to frame19, so that frame20 will be less noticeable. Please note when you copy/paste keyframes, then often the interpolation setting changes, and so you need to select all the keyframes and right-click and change the interpolation to linear.
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How are you being graded?
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Richard Herd
April 21, 2015 at 8:02 pm in reply to: x 2 (because I was told by the cow that I couldn’t use so many caps[Charlie Austin] “done in AE/C4D fwiw.”
[Charlie Austin] “a very useful feature”
And the heavy lifting of development is done: the textures, the lights, the camera. It can’t be too difficult from here to apply that to a mask.
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[Robin S. Kurz] “I find the whole personalization thing highly overrated “
Funny! The first thing I do is make “my” set up, and I save it as “Richard.”
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Gender equality in post.