[Ricardo Spencer]

Hi, Dave!
You were right. My files are 59,94 and 47,952.
Not the same neat trick? Which I really need the band playing slow synced on a real time music track.
Thanks a lot,
Ricardo

[Ricardo Spencer]

Thanks a lot, Dave!
I will let you know as soon as I get it.
Ricardo

[Ricardo Spencer]

Thanks a lot, Shane!

[Ricardo Spencer]

Thanks, Shane.

So, the big question:
I need the GoPro files in a 16:9 sequence, with an aspect ratio I can zoom in (resize) at some points, without losing quality. A 720p, I guess? So I’d have 1990×1440 to shrink into a smaller aspect.

Am I tripping?

Thanks a lot,
Ricardo

[Ricardo Spencer]

Thanks again, Dave!

So, my sequence would be a 1920×1440 anamorphic or 1080×720?

Cause I need to zoom in the GoPros at some points, big, like 140%, resizing the image.

I have MarkIII 720p clips too.

Thanks, Dave.
Ricardo

[Ricardo Spencer]

Hi Dave,
thanks a lot for your answer.
I already conformed them, then I exported to Apple ProRes 422 (HQ). Should I’ve done it?

And once 1920×1440 is 4:3, how can I get the 16:9 image back without affecting its quality and not getting squeezed?

Thank you!!!

Ricardo

[Ricardo Spencer]

Thanks, Shane.
Have a great weekend.

[Ricardo Spencer]

Thanks a lot, friends.

[Ricardo Spencer]

Can you explain me a litle more?
Thank you very much.

Ricardo

[Ricardo Spencer]

Thanks a lot, Shane.
That’s the solution I was looking for.

🙂

Spencer