[Pierre Jasmin]

In Twixtor PRO only, look at the bottom of the effects controls there is a Tracking Points Twirly

In doc (TwixtorProUsersManual.htm) in Twixtor folder see: Guiding Twixtor through the use of Track Points.

Pierre

[Pierre Jasmin]

In Twixtor PRO only, look at the bottom of the effects controls there is a Tracking Points Twirly

In doc (TwixtorProUsersManual.htm) in Twixtor folder see: Guiding Twixtor through the use of Track Points.

Pierre

[Pierre Jasmin]

You can always run DE:Noise prior to RSMB (in a precomp) then all will be not noisy.

If you want noise then you can re-add it after

Pierre

[Pierre Jasmin]

You can always run DE:Noise prior to RSMB (in a precomp) then all will be not noisy.

If you want noise then you can re-add it after

Pierre

[Pierre Jasmin]

I am not too much of an expert on this myself.
You might want to ask what they think to the folks at Compressionist forum
https://forums.creativecow.net/compressiontechniques

specifying the software you use for the encoding and the purpose of the end movie (why you want an H264 at that res for, eg for website display…) – and that your source movie has a lot of motion blur.

Typically I am under the impression that for mpeg, noise (by extention everything that has noise like properties like waterfall) is worst then motion blur for an encoder.

If you look at the levels chart here: https://en.wikipedia.org/wiki/H.264
You will see that bitrate affects the number of blocks used to encode images. For the resolution you discuss, I think I read from the chart that at least level 4 is recommanded (over 20 Mbit/s — 4 times more then what you said). The strange thing I noticed is sometimes using higher bit rate produces smaller file size. We here have only been successful for our purposes using QuickTime PRO on the MAC with Best Quality without touching anything. On Windows someone recommanded Tmpeg Encoder Xpress 4 but I have not tried it yet.

Pierre

[Pierre Jasmin]

I am not too much of an expert on this myself.
You might want to ask what they think to the folks at Compressionist forum
https://forums.creativecow.net/compressiontechniques

specifying the software you use for the encoding and the purpose of the end movie (why you want an H264 at that res for, eg for website display…) – and that your source movie has a lot of motion blur.

Typically I am under the impression that for mpeg, noise (by extention everything that has noise like properties like waterfall) is worst then motion blur for an encoder.

If you look at the levels chart here: https://en.wikipedia.org/wiki/H.264
You will see that bitrate affects the number of blocks used to encode images. For the resolution you discuss, I think I read from the chart that at least level 4 is recommanded (over 20 Mbit/s — 4 times more then what you said). The strange thing I noticed is sometimes using higher bit rate produces smaller file size. We here have only been successful for our purposes using QuickTime PRO on the MAC with Best Quality without touching anything. On Windows someone recommanded Tmpeg Encoder Xpress 4 but I have not tried it yet.

Pierre

[Pierre Jasmin]

I have some footage with massive RSMB that looks fine with h264 render (via the default Mac Quicktime PRO export h264 best quality). Could it be your codec settings that are too low bitrate or something else?

Pierre

[Pierre Jasmin]

I have some footage with massive RSMB that looks fine with h264 render (via the default Mac Quicktime PRO export h264 best quality). Could it be your codec settings that are too low bitrate or something else?

Pierre

[Pierre Jasmin]

If you have a red frame it means that the 2 frames RSMB is getting are not the same size. Unfortunately AE can change the size of an adjustment layer particularly following a transform to the parent layer. We plan to work around this in a future version. For now you will have to apply the effect in a normal layer or precompose.

Pierre

[Pierre Jasmin]

If you have a red frame it means that the 2 frames RSMB is getting are not the same size. Unfortunately AE can change the size of an adjustment layer particularly following a transform to the parent layer. We plan to work around this in a future version. For now you will have to apply the effect in a normal layer or precompose.

Pierre