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  • Pierre Jasmin

    September 23, 2021 at 10:12 pm

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    It should, as suggested maybe send a project to techsupport@revisionfx.com
    The only known issue is if you use some transform effect before on layer that changes the size of frame at each frame, then you likely need to pre-comp and apply RSMB in parent comp.

    Pierre

  • Pierre Jasmin

    August 4, 2021 at 12:33 am

    I don’t disagree with solutions proposed, taking note that our Reframe plugin in RE:Lens should do that automatically for you, it does not (without one wiring expressions) – however I just checked and although not designed for that if you use RE:Lens Superfish, set Projection Mode to Fisheye and set Output size to Comp Size, you can open the Comp panel and interactively change the Comp Size if the Preview Button is checked and it will stay relatively in the same place (the image will scale to fit Comp Size)… OK not what it was intended for but there is always a way 🙂 – that’s the laziest way I could think of doing it 🙂

    Pierre

  • Pierre Jasmin

    January 9, 2020 at 9:53 pm

    And that would be to techsupport at revisionfx dot com 🙂

  • Pierre Jasmin

    January 9, 2020 at 9:52 pm

    Those are values above 1.0 or below 0.0?
    Can you send me an STMap out of PF_Track
    There is a workaround but maybe we should built-in

    Pierre

  • Pierre Jasmin

    January 9, 2020 at 3:55 am

    Some PF_Track users use our RE:Map UV — i.e. just use the UV map out of PF_Track as the metadata.

    Pierre

  • Pierre Jasmin

    September 5, 2019 at 2:33 am

    Did you notice the Scene Cut menu (you have to be in Display Source Mode for it to ungrey) – you just animate it at begining of each cut in your sequence, as long as the value is different from previous one (you can cycle between A, B, and C)

    Pierre

  • Pierre Jasmin

    October 18, 2018 at 12:22 am

    Screenshot – if someone loads a linear EXR file from a 3D render, AE will by default delinearize it to the working space…

  • Pierre Jasmin

    October 17, 2018 at 12:12 pm

    Andrew,

    No problem with what you say – just saying Adobe normalize inputs to a working color space, Premiere uses always rec709 gamma 2.4, historically default in AE was gamma 2.2 – now they added in AE a Working gamma with option gamma 2.2 and 2.4

    So all I am saying is it’s best in AE to work in sRGB gamma 2.2 so your video in browsers or most applications look as intended (otherwise you will likely get a gamma shift on playback).

    Pierre

  • Pierre Jasmin

    October 14, 2018 at 3:10 am

    I think the latex project file:
    https://help.revisionfx.com/search/?p=75

    That said I noticed a few days ago that some of our old tutorials that were flash are broken links now, supposed to look into it with person who manages the website this coming week

  • Pierre Jasmin

    October 14, 2018 at 2:24 am

    Although sRGB and rec709 are close enough, gamma 2.2 and gamma 2.4 is not
    At some point AE shifted to gamma 2.4 from 2.2 to match Premiere but now has gone back to an additional menu in Project settings for Gamma. Now when working in Unmanaged Color Workspace you have the option for Assume Gamma 2.2 or Gamma 2.4.

    Your computer monitor is likely sRGB gamma 2.2 (therefore your browser and rest of what is on your computer) and your TV is likely rec709 gamma 2.4.

    Pierre

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