Pierpaolo Ferlaino
Forum Replies Created
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You can use a batch list that creates a CVS file you can import into Excel. Unfortunately, it only exports in/out points, not durations. You can figure out durations using a formula to make calculations on timecodes in excel, which is time-consuming.
Resolve (even the free version) has a metadata export function that is really convenient, exports in/out timecodes, durations and other infos as well.
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In my experience, when you export from Premiere:
h264 / .mp4: Premiere reads the embedded timecode, other editing apps don’t
h264 / .mov: Premiere and other editing apps read the embedded timecode
QuickTime doesn’t read the timecode from h264 files both in a .mp4 or a .mov .wrapper.
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There are no guides in Premiere. One idea is to draw reference lines in photoshop and export them with transparency. But why would you do that? 1080p to FLAT DCP is usually done with pillarbox and not by upscaling content.
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If you have a Creative Cloud subscription you can still download Adobe Encore for Mac…
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You said you have archival copies… Did you mean backups or auto-saves from Premiere? Did you try with auto-saves? Maybe you can recover your work without loosing too much…
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I’m glad to help…
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Would it be different if I were to open Premiere, and THEN in Premiere try to open the project file?
I don’t think so…But I mean “import”, not “open”…
Create a new project, select File > import, then “import” your old project and see if it works…
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Did you try to import that project file into a new blank project?
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1) can you adjust the audio so that when raising the levels from the timeline it will go higher than 6.02db like up to 12 db like FCP 7 does? Or do I have to you use the gain setting after I’m up to 6.02db it’s just one extra step I’d prefer to avoid.
No… but you can adjust audio gain, right click and select “audio gain”… beware not to clip the waveform…
2) when adjusting audio levels is there away where it is larger increments than such small fractions of db se still how it’s 1.52 Id rather it be just 1.50 or 2.0? I would be nice if the increments weren’t so small so that it was easy to adjust the levels between clips.
I don’t know of a way on the timeline but you can use the audio clip mixer and type a value…