[Pete Tombs]

Yes they are. When I imported the media I accepted the “set project properties to match media” option.

And I rechecked that it was so afterwards.

[Pete Tombs]

Project settings are:

1920×1080
24fps
progressive
resample disabled
source media not set to match project settings (I’ve tried both and it makes no difference)

The file was, so far as I know, a straight copy of an HD transfer from 35mm film done at 24 fps.

That’s all I know.

[Pete Tombs]

Indeed! And they are keeping very quiet right now…

P

[Pete Tombs]

Many thanks, Aleksey and Mike. It works great now!

Pete

[Pete Tombs]

OK. Here it is:

9544_compositetimelinetimecoded.veg.zip

[Pete Tombs]

can’t really do that as it’s somebody else’s footage. But I’ll keep trying to find a solution.

[Pete Tombs]

Thanks, Mike.

Yes, the time clock above the video/audio tracks is indeed set to 23.976 also.

[Pete Tombs]

Again, Mike, many thanks. Here is the Timecode setting that I used:

[Pete Tombs]

Thanks, Mike.

1) Yes, I am zoomed in. The project timecode advances by one frame each click of the right arrow.

2) Not sure I understand. What I wanted was a time code that runs from zero to the end of the time line. My understanding is that if you add the Video FX time code to the timeline media, it goes back to zero at the beginning of each new event.