Peter Litwinowicz
Forum Replies Created
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You might be a victiim of hard-to-track footage.
Can you send along a section of the source clip and your FCP project that demonstrates the problem? You can send them to techsupport@revisionfx.com Please note that our email can handle messages only up to 10Mb so you will need to trim your footage so that our mailer can accept it.
Pete Litwinowicz
https://www.revisionfx.com -
You might be a victiim of hard-to-track footage.
Can you send along a section of the source clip and your FCP project that demonstrates the problem? You can send them to techsupport@revisionfx.com Please note that our email can handle messages only up to 10Mb so you will need to trim your footage so that our mailer can accept it.
Pete Litwinowicz
https://www.revisionfx.com -
You might be a victiim of hard-to-track footage.
Can you send along a section of the source clip and your FCP project that demonstrates the problem? You can send them to techsupport@revisionfx.com Please note that our email can handle messages only up to 10Mb so you will need to trim your footage so that our mailer can accept it.
Pete Litwinowicz
https://www.revisionfx.com -
I believe this is a perfect job for our RE:Fill package. It’s meant for problem s like this. You simply give us a matte that tells the pluginwhere you want the plugin to fill in the bad pixels and the plugin fills in the places for you based on the surrounding good pixels (you have a number of choices for the filling process)
RE:Fill is $99.95. More info here: https://www.revisionfx.com/rfil.htm . A demo version is available in the Downloads subsection for RE:Fill. The manual is places on your disk with the plugins upon installation, so make sure to read it (it’s very short).
Pete Litwinowicz
https://www.revisionfx.com -
[eriness] “Is there an easier way to use this plugin?”
Not at the moment. Although we certainly want to provide a feature that guesses the correct cadence at each cut, it’s much harder to figure out than you might think. Of course, that’s no excuse 🙂
Pete -
[Steve Roberts] “So you or the editor need to cut up the footage into separate clips, then interpret each clip separately, since the pulldown will now be different for each clip.”
FYI, in addition to deinterlacing, our FieldsKit product has a plugin that allows you to remove pulldown and change the cadence at each cut of a clip without having to cut up the clips first and interpret and then glue back together. Basically you can do this by animating the Pulldown Phase of the plugin. More info on FieldsKit here: https://www.revisionfx.com/rsfk.htm (a free demo verison is available in the Downloads subsection for FieldsKit)
Pete Litwinowicz
RE:Vision Effects, Inc.
https://www.revisionfx.com -
I presume you’ve read the manual, since you are referring to “from” and “to” geometry.
Have you downloaded the sample projects in the “Tutorials” subsection for RE:Flex on our website? Granted, they aren’t step-by-step tutorials, but there are a few projects showing proper setups, and some auxiliary HTML readme files that tell you what to look for in the projects. You can find the sample projects here: https://www.revisionfx.com/rflxtutorials.html
Pete Litwinowicz
https://www.revisionfx.com -
I presume you’ve read the manual, since you are referring to “from” and “to” geometry.
Have you downloaded the sample projects in the “Tutorials” subsection for RE:Flex on our website? Granted, they aren’t step-by-step tutorials, but there are a few projects showing proper setups, and some auxiliary HTML readme files that tell you what to look for in the projects. You can find the sample projects here: https://www.revisionfx.com/rflxtutorials.html
Pete Litwinowicz
https://www.revisionfx.com -
Good to see you too!
‘Til next time,
Pete -
Good to see you too!
‘Til next time,
Pete