Forum Replies Created

Page 16 of 98
  • Perhaps.
    I think everyone will have bad hearing after the inevitable howl round.
    Record it by all means but i doubt they need amplifying.
    Peter

    Post Production Dubbing Mixer

  • Im curious why speaker / amplification is neccesary at all in a room that small with so many mics. Its like oil and water – doesnt go.
    Is there a big seating auditorium we cant see?
    Peter

    Post Production Dubbing Mixer

  • Peter Groom

    April 26, 2015 at 7:25 pm in reply to: zoom h4n recorded in mic

    Werent you listening on headphones?
    Peter

    Post Production Dubbing Mixer

  • Do they still wear orange jump suits at Guantanamo bay?

    Post Production Dubbing Mixer

  • Peter Groom

    April 25, 2015 at 6:57 am in reply to: telephone interview

    Hi Ty
    I agree.
    ANY electornics path is only ever as good as its weakest link, be it a hifi at home, a factories manufacturing process, or an audio chain.
    Putting a high end studio mic into a lo spec signal path is 100% pointless as you wont hear what youre paying for in the neumann.
    Peter

    Post Production Dubbing Mixer

  • Peter Groom

    April 23, 2015 at 7:41 am in reply to: Sound distortion with Sennheiser EW 100 G3

    Like i said, izotopes de click function is designed to remove short spikes. Also, are you trying to do it in say Pro Tools or in a video NLE (as they only offer a very crude 1 25th sec edit whereas a sound nle like pt goes much tighter.

    You could try setting up a ducker to be triggered off the high ampolitude audio spike that goes right down to zero, but whose attack and releaase are very fast, hence autotriggering the duck?

    If its not in your skillset , Im sure theres a local post studio who will have the neccessary skillset in house?
    Peter

    Post Production Dubbing Mixer

  • Peter Groom

    April 23, 2015 at 7:37 am in reply to: telephone interview

    Ipdtl isnt a standard (With IP solutions I very much doubt if 1 standard will ever emerge), but certainally here in the UK it is growing fast as a replacement for ISDN VO lines, and along with 1 or 2 others will likely become as near a standard as well get.
    I think at 15 a month its as near to free as youll get in the broadcasting world, and its bIG plus is it sounds like they ran a mic cable from the studio and not god awful phone connections, which peresonally i switch off whenever someone is put to air on the phone now.
    Speak to the broadcasters you deal with most often and find out if they want this. They drive it not the contributor.
    Peter

    Post Production Dubbing Mixer

  • Peter Groom

    April 22, 2015 at 3:01 pm in reply to: Sennheiser ME 66/ K6 issues and questions

    Yep – theres 40db difference between mic and line.
    Peter

    Post Production Dubbing Mixer

  • Peter Groom

    April 22, 2015 at 2:58 pm in reply to: Sound distortion with Sennheiser EW 100 G3

    It doesnt sound like a frequencies / rf issue.
    To my ear it sounds like clipping the input electronics (too high)
    Peter

    Post Production Dubbing Mixer

  • Peter Groom

    April 22, 2015 at 2:04 pm in reply to: Sound distortion with Sennheiser EW 100 G3

    NB Izotopes de clicker might have a decent go at removing the cracks as theyre very short.
    Peter

    Post Production Dubbing Mixer

Page 16 of 98

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy