Peter Brewer
Forum Replies Created
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Hi Kris, thanks for the reply. I don’t have a project that is in need of work now. I am just slowly transitioning to Avid and am sorting out the workflow. With FCS, everything worked together. Now Using different companies software, I’m finding that there are lots of compatibility issues. We’ll get there 🙂
Peter Brewer
http://www.indimax.com.au -
There is this that helps with Davinci.
https://www.bhphotovideo.com/c/product/749952-REG/Blackmagic_Design_DV_RESOOFTDNX_DaVinci_Resolve_Avid.html
But it doesn’t help my original issue with monitoring out from both AMC and Davinci.Peter Brewer
http://www.indimax.com.au -
Thanks Eduardo. I’ll check it out. Shane, thats a fair bit of messing around! Hopefully when they release AMC6 with BM cards that work, they’re will be an easier workflow. Thanks for the info though. I’ll have to make it work in the meantime 🙂
Peter Brewer
http://www.indimax.com.au -
Thanks Shane. How do you get it to color? EDL? XML? I assume that the timeline needs to be ‘prepared’ as it did in FCP.
Peter Brewer
http://www.indimax.com.au -
I’ll get the files together and send them through. Thanks for the help 🙂
Peter Brewer
http://www.indimax.com.au -
Yes the footage was from a Sony HDV. The footage has been converted to prores 444. Some of the footage has gone through shake and has been output at the 1920×817 Res. Resolve does randomly crash when I’m changing rooms (not sure yet if thats what they’re called in Resolve).
Peter Brewer
http://www.indimax.com.au -
Cinemascope makes it worse. Went back to FCP and noticed that the problem footage is 1440×1080. It is conformed in FCP and sends to Apple Color fine. Is that something that Davinci can’t do? Does all the footage need to be the same pixel aspect to display correctly?
Peter Brewer
http://www.indimax.com.au -
Hi Peter
Thanks for the reply. I’ve tried all those. It changes the way the image is displayed but it won’t get it looking correct. It works in Apple Color.
Peter Brewer
http://www.indimax.com.au -
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