Replies – Forums – Penelope Wylder

Forum Replies Created

Penelope Wylder
May 28, 2014 at 5:33 pm in reply to: Phantom .cine workflow for Resolve

PS – I have a slight concern about some of the .cine files which are particularly large (around 18gb). Has anyone experienced problems working with such large .cine files in Davinci?
Penelope Wylder
December 16, 2013 at 8:56 pm in reply to: Importing DPX into Resolve / workflow for music video

Hi Rob,

Thanks so much for your speedy reply…in answer to your questions:

I’m not entirely sure as I didn’t do the conform, but I assume that this is what they did – they edited the music video in Premiere Pro (shot on both RED and 5D – mostly RED), re-conformed to original rushes at picture lock and then exported out to DPX. Once again, I’m not entirely sure but this is the most likely sceanrio.

So I assume what I am getting is a DPX sequence of the whole music video…in which case, will it come in as one clip and I can use scene detection to break it up?

Also, how does Resolve handle log / linear color spaces? Will it automatically know to use a log cineon curve for DPX or do I have to manually set that?

Also, how do I set up my project settings? I assume the DPX are 2k…so I assume I set my project settings also to 2k…but as it’s DPX, what do I do with fps? Do I only need to worry about this when it comes to export (I need to deliver at Apple Prores 444 25fps)?

Thanks again for any advice – so much appreciated!

P
Penelope Wylder
June 11, 2010 at 8:46 am in reply to: Onlining media of diverse origin

Hey Quintis,

That’s really helpful, thanks very much. Can you tell me what filter you put on the interlaced material in AE? Was it just a standard de-interlace filter?

Cheers,

P
Penelope Wylder
October 19, 2009 at 4:05 pm in reply to: Workflow for RED – transcoding etc. ADVICE NEEDED!

Thanks Kevin.

Does the same thing apply when editing with Proxies? This is one route we are considering taking…Any pros or cons to editing with proxies? Does the conform / grade workflow work the same way?

Peta

Editor / Colorist
http://www.petaridley.com
Penelope Wylder
August 24, 2009 at 2:32 pm in reply to: Broadcast safe – filter, levels, RGB limiting and Color

Walter,

I am following your method, and it’s all working fine. But after I render, the clips appear to be exceeding 100% whites still – any ideas? Have I not done something in the render setting which I should do?

Peta

Editor / Colorist
http://www.petaridley.com
Penelope Wylder
August 24, 2009 at 12:30 pm in reply to: RGB or YUV?

Thanks Rafael. And should that be 8-bit YUV or high precision YUV? This is for a broadcast delivery.

And would you keep the Quicktime Setting Compressor as DV-PAL or change it to uncompressed?

Thanks for your advice.

P

Editor / Colorist
http://www.petaridley.com
Penelope Wylder
August 23, 2009 at 3:15 pm in reply to: Broadcast safe – filter, levels, RGB limiting and Color

Absolutely…how do I subscribe to your blog Walter?

Big thanks to you both…

P

Editor / Colorist
http://www.petaridley.com
Penelope Wylder
August 23, 2009 at 2:55 pm in reply to: Broadcast safe – filter, levels, RGB limiting and Color

Phil – that’s brilliant – exactly what I was looking for.

Thank-you for sharing, much appreciated.

Peta

Editor / Colorist
http://www.petaridley.com
Penelope Wylder
August 23, 2009 at 12:47 pm in reply to: Broadcast safe – filter, levels, RGB limiting and Color

Cheers Walter, I always appreciate your sound advice on CC.

I’d be curious to know what method you use when applying broadcast safe filters / levels etc for best results in FCP…do you have a good formula for legalizing images?

Many thanks,

P

Editor / Colorist
http://www.petaridley.com