[Pawel Gardynik]

Shall I ignore everyyyything You’ve written?

[Pawel Gardynik]

Thanks a lot.
Yet I have one more question as I’m not experienced user – can I batch the process of replacing files (I presume that I should just select all audio clips and choose “reconect”) or I have to open the reconection window in case of every clip?

Thanks in advance

Pawel

[Pawel Gardynik]

Thanks for Your reply but it’s much more complex case.
I mean – i know how to sync video footage with audio (there’s even a clapperboard). Probably the description I wrote isn’t clear enough.

The real problem is: how to proceed with 16mm/24FPS footage transferred to DV PAL/25FPS, sync it with audio (synchronised to the original 16mm/24FPS), edit both together and, finally, get proper EDL.

So the full path is:
16mm/24fps >– Telecine –> MiniDV-PAL/25fps (accelerated to 104,17%) –> DV-PAL avi/25fps –> sync with original 24fps audio –> edition –> EDL –> 35mm/24fps

I’ve been told that I can’t change audio speed because it will disturb the file timecode and that there must be a special way/option (some algorithm?) to make 25 fps footage “behave” like 24 FPS as it is supposedly in mentioned Final Cut Pro and Avid media composer.

It wouldn’t be really a problem if I just wanted to make the audio & video match, but I need to sync them and no to change their timecodes at the same time.