Thank you, Mads. First of all thank you for the tip about extending the leader sounds to all the tracks. Actually I’ve been asked to provide them with all the above plus the EDL on top of it. I guess this is just the workflow they assumed to make sure they’re on the safe side. Anyway, should I assume there’s no way to use the EDLs in this case then?
The only idea I had was to redistribute the audio clips the following way, for example:
A1 – 4ch: 10 channels WAV file #1 – only channels 1-4
A2 – 4ch: 10 channels WAV file #1 – only channels 5-8
A3 – 4ch: 10 channels WAV file #1 – only channels 9-10
A4 – 4ch: 10 channels WAV file #2 – only channels 1-4
A5 – 4ch: 10 channels WAV file #2 – only channels 5-8
A6 – 4ch: 10 channels WAV file #2 – only channels 9-10
A7 – stereo: stereo WAV file #1- channels 1-2
A8 – stereo: stereo WAV file #2 – channels 1-2
A9 – 4ch: 10 channels WAV file #3 – only channels 1-4
A10 – 4ch: 10 channels WAV file #3 – only channels 5-8
A11 – 4ch: 10 channels WAV file #3 – only channels 9-10
(see the screenshot of the densest part of the sequence for reference – i realize I should rename the tracks for clarity)
I’m guessing this could make it work although it just makes the whole thing a bit cumbersome. And well, it would mean I’d need to paste for example a 10ch file in three consecutive tracks which feels a bit odd.
Another solution came to my mind but since I lack any experience with ProTools I’m not sure if that would work. I thought maybe if I chose only four of the file’s 10 channels, they could somehow re-link the file in ProTools with all its 10 channels. I guess I’ll have to just experiment and verify it with them directly…
Anyway, what do you think?