Paul Whishaw
Forum Replies Created
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I keyed my GS in Premiere. This post is 9 years old but the problem still persists. It’s amazing that the Ultra Key in Premiere seems to do a superior job over Keylight.
It is also insane that such a competant keyer exists in Premiere but there is no Untra Key in AE. It’s the same company.
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Similar problem.
I have a simple stereo recording from my AF100. I want to have two mono tracks panned center. Hell I’d take a single mono track with both left and right mashed together. I’ve been kicking this can for the last 2 hours and it simple WILL NOT do it. I’ve done this in the past so this has to be bug.
It’s killing me!
That and the new release has killed a lot of functionaly of my old WACOM tablet. Can’t get new drives so that suck as well.
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Yep. Me too. Can’t scrub any value box in the effects control or in the title editor. Also when I change values in the title editor using the arrow keys or keypasd, changes don’t carry over to the timeline. I have to move the whole clip up and down.
Bit annoying.
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To get around this ridiculous bug I grab the audio track and drag it to the new track icon.This creates a new track with said audio. I copy that audio and paste it into the timeline I actual want it in. Is this ridiculous? Yes it it.
I also have to quit and restart Premiere CC every 5 minutes if I want to apply speed ramp keyframes to my footage.
The worst is if I make a post on the Adobe site they ask for so much information it would take an hour just to list it out. It’s clear to me this is a universal Adobe problem and has very little to do with the type of footage we are using.
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Hey Tim,
I’m having a similar problem. I am working on a video game and we are capturing media in ProRES HQ (and some ProRes 422 LT). They are being captured by a Black Magic Decklink Intensity Pro through an HDMI to SDI conversion.
When I send clips to AE from a Premiere Pro sequence (latest CC updates on a Mac OS 10.9.5 12 core) the proxy file in Premiere gets shifted, mostly in the reds. Skin tone goes a little pink and orangey reds get much more red. I’ve applied the Color Profile Converter as you suggest and enabled the Rec 709 profile but my image still doesn’t match the original when I view it in Premiere.
I have tested with other footage captured from a KiPro and the colour shift does not happen so it must be some colour thing applied on the import through the the Black Magic. I’ve messed about with a few settings in the Color Profile Converter and I can’t figure it out. I’d love to post some of the footage but due to NDAs I can’t. Was hoping you might have some kind of insight into this particular issue. Bit stumped at the moment.
Thanks in advance.
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Anything happen with this thread?
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I am having the same issue. One day I’m happily importing XMLs the next day CC says the project may be broken. I try importing XMLs into CS6 and absolutely nothing happens. Another fantastic addition to my monthly subscription. Would love a solution to this.
