Paul Whishaw
Forum Replies Created
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Paul Whishaw
May 24, 2013 at 8:37 pm in reply to: Twixtor SHIFTS video. Desired in out point inaccessible.No. I did not change the in point in the main timeline. When I apply the effect whatever portion of the video that is in the timeline disappears and is replaced by video from much earlier in the clip and the video I am trying to target gets slipped right out of the entire original media clip. So if I make my comp as long as I can to fit the clip and I navigate to the end of the clip/comp, it ends somewhere closer to the beginning of the clip with a huge section of media that is just gone. Pushed into limbo.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
I find this a little frustrating. Not so much for video clips but for titles. I am so used to being able to manipulate titles in FCP, duplicate, new text, duplicate new text. Now I have to create a new title for every single piece of text. Which is interesting until you are trying to upres from 720 to 1080 and you can’t actually change the size of the text “files” you’ve created.
I can increase them to 200% or whatever but come on, let me resize the original Adobe. Really.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
I find the lack of this function to be absolutely stunning. If I made 100 sub clips and then had to create 100 sequences just to batch them, which it appears I may have to do, I’d be upset.
And I am.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
That’s some bullshit right there. I was all stoked to be able to bypass Plural Eyes. The more I use Premiere the more I am starting to hate it. Soooo clunky.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
Wow. Crickets.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
Paul Whishaw
April 18, 2012 at 6:40 pm in reply to: Can’t move audio clips to a different audio trackI must say dealing with audio in Premiere kind of blows.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
I have to say that having to pan a whole track is pretty lame. I hope they do better in CS6. Definitely not on FCP in this area.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
What a pain in the butt. I hope CS6 allows clip based editing. So much easier.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
Paul Whishaw
April 17, 2012 at 9:29 pm in reply to: After Effects Output Module h.264 ‘settings mismatch’ problem.I don’t have access to CS4 on this computer. I don’t get it. It’s just pixels. We should be able to push them in any direction we see fit.
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it” -
Paul Whishaw
April 17, 2012 at 8:33 pm in reply to: After Effects Output Module h.264 ‘settings mismatch’ problem.Sorry to crash your thread boys but I have a similar question.
We have to export a very unusual sized video. 7632×1050. This size seems to be hated by almost everything except Animation codecs and uncompressed AVI. The original video is exported from After Effects and sent to Premiere. From there I try to encode it but only the above codecs will render, and they are HUGE. I can’t get H.264 or pretty much ant other useful and compact codec to work as it always says I need to increase the profile and level or reduce the frame dimension. SO I crank thoise to the highest setting but still not high enough. I have the same trouble in After Effects when I try to end run around Adobe Media Encoder. I get the “Setting Mismatch” exclamation mark and it resizes my video to 4000×1050.
Any ideas on this one?
Paul Whishaw
PDVpro.com
“If it moves, We’ll Shoot it”