Paul Moore
Forum Replies Created
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The ASIO trick solved my problem (for now). Thanks Slav!
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I’ll take that under consideration. Thank you.
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Weird, that looks like it fixed it. Thanks.
I was doing two textures under the direction of a tutorial, but I think I’ll stick with one texture per object until I learn more about materials.
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No, it’s the sides. Whenever I turn visibility off for 10 and 16, C4D turns them off entirely. If you disable everything but 10 and 16 and set their visibility to none, you’ll see that aren’t, in fact, lighting anything, but when I set their visibility to anything else, it washes out the image with visible light. I want to see the affects of the lights on the object without seeing the light itself.
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Okay, sorry it took so long. I’ve never used the file upload system here before and got a bit turned around.
File: f1.creativecow.net/7446/3d-title-project
Assume very little about my knowledge of C4D. I only started using it a few days ago.
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True, Final Cut had feathering capabilities of its own, but Final Cut wasn’t able to dynamically link footage between itself and After Effects. Final Cut had Motion, which was disappointing in its own right, so they kind of had to include extra features so that people wouldn’t have to round trip it out to After Effects. Now, with Dynamic Link, round-tripping is essentially a thing of the past, and editing footage in After Effects has become more like using a filter than before.
It doesn’t make things any less irritating if you don’t have AE, but it seems like they’re trying to draw lines in the sand as to what can be categorized under “video editing” and what falls under “compositing and effects”.
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It kind of goes with Adobe’s Creative Cloud mentality, though, if you think about it.
Most basic matting can be accomplished through Crop and feathered that way. Anything more advanced can be linked to After Effects. The tools are all there, you just have to use the right ones for the right job.