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Paul Dougherty
May 27, 2015 at 3:32 pm in reply to: import Adobe’s ProRes presets results in loads of dupes

Where does AME store these presets? I just repeated the install and imported from within AME, for a moment the presents seemed to come in correctly (only a handful of setting for each folder like 1080p etc) but in the blink of an eye the settings repeated to have about 20 duplicates?
Paul Dougherty
May 26, 2015 at 1:12 am in reply to: working directly with Avid mxf files in other programs

Tried the AAF import into Premiere. The AAF came in as a file & seq but without media. When I tried to link to the mxf, Premiere (the AAF) knew what file to ask for but when I located it got this msg

“Importer reported a generic error”

This is with Premiere CC (OS 10.8.5)

Paul
Paul Dougherty
May 22, 2015 at 8:01 pm in reply to: working directly with Avid mxf files in other programs

Thanks so much John, you got my mental wheels turing and I’ll seat doing some R&D

Paul
Paul Dougherty
May 21, 2015 at 8:41 pm in reply to: import Adobe’s ProRes presets results in loads of dupes

Hey Ryan,

I’m 99% sure ProRes presets did not come with Premiere / Media Encoder CC for Mac. Thats’ based on my recollection of looking for them on one of my Premiere systems, not finding them, and then seeking the download-able set. Later checking my 2nd system and nope there are not there. Because they do not seem to be bundled, Adobe offers them as a downloadable “extra” for v7 called AME-CC-ProRes-presets.zip

In all seriousness your theory is a good one and might have been the case. Also too I only did the install once and got close to 20 dupes so something more is going on.

If I don’t get any suggestions here I’ll try the install on my 2nd system and do before and after screen-grabs as a reality check.

Thanks,

Paul
Paul Dougherty
May 21, 2015 at 3:41 pm in reply to: working directly with Avid mxf files in other programs

Thanks Ryan, I read you loud and clear. The mxf files were generated (captured) by Avid’s Media Composer. I do have the Avid Qt codec installed but that (to my knowledge) just means I can work with Qt’s that employ the Avid (native) codec for 2:1, 3:1 etc

I understand what you and Bill are saying but seek actionable advice or workflow on how to work with Avid’s media files in other programs, assuming that is do-able

Thanks

Paul

Bill says
“Avid’s format is OP1. To be able to use OP1, it has to be re-wrapped as OP1a, which interleaves the audio files with the video to produce a single file.”
Paul Dougherty
May 21, 2015 at 2:29 pm in reply to: working directly with Avid mxf files in other programs

Thanks Bill, the only version of this I could find (got it from their web site) was “Calibrated{Q} XD – Snow Leopard” probably should not expect it to work on a Mac running 10.8.5 and it didn’t. Not in Premiere CC or Quicktime Player (trying to play a video mxf file)
Paul Dougherty
May 5, 2015 at 12:03 pm in reply to: workflow with wanting to sub-clip a synced up (PluralEyes) seq/clip

Sounds good Paul, thanks!
Paul Dougherty
April 28, 2015 at 11:14 pm in reply to: renders take forever to do the last 1% (and other render strangeness)

Thanks Al, glad to hear I’m not alone. I can’t assign blame but I’ve never (in 25 years of NLE) work encountered anything like it. Using two different Macs running 2 different OS 10.7.4 and 10.8.5) hit the same wall. Yes these are not the latest OS’s and I’m not running the fastest CPU’s but this is a serious impasse, I have to fine a solution.

Paul
Paul Dougherty
April 28, 2015 at 1:14 am in reply to: Is morph cut available?

Thanks James!
Paul Dougherty
April 23, 2015 at 5:07 pm in reply to: et keyframes just beyond each still’s respective duration?

Indeed, think I got it now. Thanks!

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