Exactly, we are predominantly a DVCPRO HD and soon to be XDCAM environment and we intend to migrate to 2K and 4K as things evolve. So, even if we do shoot using a RED we’ll finish at 1920 X 1080 for now. Next year’s product cycle should bring really interesting advances in 2K aquisition and also hardware options for post production. Therefore we’ll use the KONA LHi’s. Now going with 4 of these.