Paco Bech
Forum Replies Created
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Thanks, I still need to render, is this the correct way to edit 4K in 1080?
best regards
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Thanks, working with compressor and dvd sp, I get a very washed out image, no colors and contrast. I was exporting the sequence from FCP 7 with current settings. Then I tried exporting uncompressed video and the resulting video is very dark with high contrast
I am triying now adobe premiere CS6 and exporting in Mov and uncompressed. The result in both cases results is very dark and high contrast videos as well, why is this? So I am really lost, I have a 2008 Imac with 2,4ghz intel core duo and 4 GB of Ram, maybe I need a better system, I dont now since I am unexperienced with the DVD process. My goal is to get the best possible quality DVD, the editing is only 2 minutes long, red one clips and a couple of 5D clips
-editing: FCP 7 at proress 444 or CS6 natively. Exporting in Mov or uncompressed?
-encoding: Abode encode or other encoder?
-To burn DVD: Encorer should be enought?sorry for all this questions
Best regards
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yes, it´s working better now
final destination is a DVD. What type of sequence should I get 16×9 or 2×1? is it better to get the black bars now? at what part of the process to a DVD the bars are added if I edit at 2×1? sorry for this many questions, I am new to AP. When I export a sequence, the window I get is the same than encoder?
to make a DVD, what would the process? do I have to go to encoder and then encore? like in apple ,compressor and dvdsp?
best regards
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Paco Bech
June 13, 2012 at 11:38 am in reply to: FC log and transfer window does not recognize rd3 clips, code is installedWhat I did, I created a folder mamed MAG 1 with th clips inside and now FC recognize them. The problem is the quelity is wafull, I am transfering to 444 and I gue a clip full of something like noise, it has the same size than the original red clip but awfull quelity. anyone had this issue or may know what happening?
I have transfer to 422 hq and works, I get the clean image , but when the cursor is stopped , the still image in the wiewer shows high contrast. I can only see the real color whan playing back the footage in the time line, weird
could be al this a Ram issue?
best regards
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Paco Bech
May 17, 2012 at 6:40 am in reply to: incompabilty of 5D and 7D in the time line, both in proress 422ok, Thanks. Is there any way/software to fix this?, convert the 25fps to 24 maybe? I did some rendering in final cut and now I get a blue line,
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Paco Bech
May 16, 2012 at 4:21 pm in reply to: incompabilty of 5D and 7D in the time line, both in proress 422The resolution is 1080 in both, 1920×1080 frame size. The sequence matches whats is being put there
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Paco Bech
May 16, 2012 at 4:18 pm in reply to: incompabilty of 5D and 7D in the time line, both in proress 422Hello, looking at the item properties of both clips. I see 5D is 23,97 fps and 7D is 25fps. Could be this the problem? how can I match this. Both 7D and 5D are 422 proress now with the same frame size
best regards
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I see both clips 5D and 7D are 25p and are converted to prores 422. When I put 5D clips in the tim eline and the 7D , I get the green line for the 7D. I put first the 7D I get green line for 5D, thre is some sort of incompability
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thenk , is motion in FCP or a different program? is there a way to do this in FCP?
best regards
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Paco Bech
December 27, 2011 at 4:47 pm in reply to: best way to convert VHS footage to use in pro projectThanks a lot, I have an Imac three years old, so I realize thre is not thunderbolt technology , Do I need a thunderbolt port in my to use these devices?