Oliver Peters
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BTW – Here’s an earlier version I did of this video using Hawaiki Color.
https://digitalfilms.wordpress.com/2013/09/26/hawaiki-color/
– Oliver
Oliver Peters – oliverpeters.com
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He must have taken it down. It’s several years old.
– Oliver
Oliver Peters – oliverpeters.com
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[Brett Sherman] “but the notion of what software is used for Oscar-nominated films is a rather silly to me.”
It’s like anything else – it’s aspirational marketing. Following the tools of certain filmmakers is the same as the current trend of YouTube influencers and companies find that to be important. It does generate sales even though that might be minor in the grand scheme of things.
[Brett Sherman] “Maybe Lightwave is better designed for this type of editing. But chances are it’s a pretty poor choice for what I need to do.”
It’s Lightworks, not Lightwave. If you check out their current version, its pretty full-featured, so it might actually be a good choice. Hard to say without really trying it of course.
Granted, the appeal is probably small here, because it has tracks ☺
[Brett Sherman] “But do they need sophisticated color correction? Nope, someone else does that. Full-featured audio?”
Actually this is important. At the top level there are larger teams, but many editors doing features have the need to rough in effects, correction, and sound mixes for screening versions. Drop a level down to smaller films and many of the festival entries and in that world you often have to generate the final product out of the NLE – no rough edges.
– Oliver
Oliver Peters – oliverpeters.com
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Max’s thoughts 3 weeks later
– Oliver
Oliver Peters – oliverpeters.com
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And “The Irishman” was cut with Lightworks, which is also still around, although still being developed.
– Oliver
Oliver Peters – oliverpeters.com
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… from my cold, dead hands.
☺
– Oliver
Oliver Peters – oliverpeters.com
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Correct. I had missed that before. It’s Video Clean Feed under the Workspace pulldown. Thanks.
– Oliver
Oliver Peters – oliverpeters.com
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[Tom Sefton] “This article talks about how the XDR display can be used as a full screen out via thunderbolt 3 from resolve and fcp”
Thanks. Reading this and the BMD thread, it does seem like there’s a special arrangement between Apple and BMD to allow this, which is new. Interesting, since that potentially offsets the cost of buying BMD hardware with a less costly display.
– Oliver
Oliver Peters – oliverpeters.com
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[Tom Sefton] “I heard that a thunderbolt 3 output direct from GPU could be fullscreen video out in Resolve 16.1.2”
That would tend to be contrary to how Blackmagic has operated thus far. You can make the viewer fullscreen, I believe, but that’s not the same as fullscreen video. You can, of course, do that in FCPX. You also used to be able to do that with Premiere Pro, but it seems to have quit working for me.
– Oliver
Oliver Peters – oliverpeters.com
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[Tom Sefton] “and Resolve?”
Not Resolve. Full screen video from Resolve requires one of the BMD i/o units (and not with an eGPU either).
– Oliver
Oliver Peters – oliverpeters.com