Forums › Creative Community Conversations › FCP 7 used on PARASITE
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FCP 7 used on PARASITE
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Shane Ross
January 13, 2020 at 4:51 pmFCP 7…discontinued nearly a decade ago…was used to cut a feature film in 2019…one up for an oscar.
Shane
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Bernard Newnham
January 13, 2020 at 10:16 pmIt was a brilliant editor. If it was still around – maybe v15 – I’d still be running it
Bernie
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Shane Ross
January 14, 2020 at 4:11 amFCP 7 was used on more Oscar nominated films than FCPX this year!
(Yeah, i’m throwin’ shade)
🙂
Shane
Little Frog Post
Read my blog, Little Frog in High Def -
Oliver Peters
January 15, 2020 at 12:17 am… from my cold, dead hands.
☺
– Oliver
Oliver Peters – oliverpeters.com
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Oliver Peters
January 15, 2020 at 12:22 amAnd “The Irishman” was cut with Lightworks, which is also still around, although still being developed.
– Oliver
Oliver Peters – oliverpeters.com
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Eric Santiago
January 15, 2020 at 3:56 pmHaha, throw shade ????
It’ll always be about the script.
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Noah Kadner
January 16, 2020 at 4:48 amZOMG- I did not know about this…
Noah
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Mark Suszko
January 16, 2020 at 3:41 pmI think it demonstrates that it’s ultimately about the artist, and not the tool. How many NLE’s can claim they are used by Walter Murch, after all. I think he’s cut on them all, and they’ve all advertised themselves as his favorite at one time or another. It’s not so much what he cuts on, but how he does it. Same with Thelma. I have no idea what she cuts with. It’s her eye, her hear, her timing that matters, and the tool is just a means of that expression. Is the tool easy and pleasant to use and powerful? Good. But let’s not kid ourselves that any one particular tool is ever going to be the ultimate one.
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Michael Hancock
January 16, 2020 at 3:56 pm[Mark Suszko] “Same with Thelma. I have no idea what she cuts with.”
I think she still uses Lightwave.
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Michael Hancock
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Mark Suszko
January 16, 2020 at 4:14 pmI’d still use Lightwave for 3-d animation, if I had the money and access. I think you meant LightWorks, though:-)
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