FCP 7 used on PARASITE

[Bernard Newnham]

It was a brilliant editor. If it was still around – maybe v15 – I’d still be running it

Bernie

[Shane Ross]

FCP 7 was used on more Oscar nominated films than FCPX this year!

(Yeah, i’m throwin’ shade)

🙂

Shane
Little Frog Post
Read my blog, Little Frog in High Def

[Oliver Peters]

… from my cold, dead hands.

☺

– Oliver

Oliver Peters – oliverpeters.com

[Oliver Peters]

And “The Irishman” was cut with Lightworks, which is also still around, although still being developed.

– Oliver

Oliver Peters – oliverpeters.com

[Eric Santiago]

Haha, throw shade ????

It’ll always be about the script.

[Noah Kadner]

ZOMG- I did not know about this…

Noah

FCPWORKS – FCPX Workflow
FCP Exchange – FCPX Workshops
XinTwo – FCPX Training

[Mark Suszko]

I think it demonstrates that it’s ultimately about the artist, and not the tool. How many NLE’s can claim they are used by Walter Murch, after all. I think he’s cut on them all, and they’ve all advertised themselves as his favorite at one time or another. It’s not so much what he cuts on, but how he does it. Same with Thelma. I have no idea what she cuts with. It’s her eye, her hear, her timing that matters, and the tool is just a means of that expression. Is the tool easy and pleasant to use and powerful? Good. But let’s not kid ourselves that any one particular tool is ever going to be the ultimate one.

[Michael Hancock]

[Mark Suszko] “Same with Thelma. I have no idea what she cuts with.”

I think she still uses Lightwave.

—————-
Michael Hancock
Editor

[Mark Suszko]

I’d still use Lightwave for 3-d animation, if I had the money and access. I think you meant LightWorks, though:-)

[Michael Hancock]

D’oh! Yeah, LightWorks. A couple of us in the office were just talking about 3D programs and Lightwave came up.

Here’s an interview with her – LightWorks is mentioned as her NLE. https://postperspective.com/the-irishman-editor-thelma-schoonmaker/

—————-
Michael Hancock
Editor